表紙:オンライン音楽教育市場規模、シェア、成長分析、楽器の種類別、プラットフォーム別、エンドユーザー別、学習モデル別、セッション形式別、地域別 - 産業予測、2025年~2032年
市場調査レポート
商品コード
1772689

オンライン音楽教育市場規模、シェア、成長分析、楽器の種類別、プラットフォーム別、エンドユーザー別、学習モデル別、セッション形式別、地域別 - 産業予測、2025年~2032年

Online Music Education Market Size, Share, and Growth Analysis, By Instrument Type (Piano, Guitar), By Platform (App-Based, Web-Based), By End-user, By Learning Model, By Session Format, By Region - Industry Forecast 2025-2032


出版日
発行
SkyQuest
ページ情報
英文 192 Pages
納期
3~5営業日
価格
価格表記: USDを日本円(税抜)に換算
本日の銀行送金レート: 1USD=147.50円
オンライン音楽教育市場規模、シェア、成長分析、楽器の種類別、プラットフォーム別、エンドユーザー別、学習モデル別、セッション形式別、地域別 - 産業予測、2025年~2032年
出版日: 2025年07月10日
発行: SkyQuest
ページ情報: 英文 192 Pages
納期: 3~5営業日
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  • 概要
  • 目次
概要

オンライン音楽教育の世界市場規模は2023年に16億米ドルと評価され、2024年の18億3,000万米ドルから2032年には54億1,000万米ドルに成長し、予測期間(2025-2032年)のCAGRは14.5%で成長する見通しです。

世界のオンライン音楽教育市場は、インターネットへのアクセシビリティの向上とコネクテッドデバイスの普及によって大きな成長を遂げており、さまざまな地域で音楽学習がより身近なものとなっています。音楽分野で専門的な信頼性を求める学生が増え、業界固有の資格に対する需要が高まっています。インタラクティブなソフトウェア、AIベースのフィードバック、バーチャル楽器など、EdTechの革新は、オンライン音楽トレーニングの質と参加レベルを高めています。柔軟なスケジュールと予算に見合ったプラットフォームを特徴とするオンライン学習へのシフトは、音楽愛好家と音楽家志望者の双方を惹きつけ、市場の拡大を後押ししています。しかし、限定的な実地交流、高速インターネットへの一貫性のないアクセス、ライブセッション中の技術的な困難などの課題が、この分野のさらなる成長を妨げる可能性があります。

目次

イントロダクション

  • 調査の目的
  • 調査範囲
  • 定義

調査手法

  • 情報調達
  • 二次と一次データの方法
  • 市場規模予測
  • 市場の前提条件と制限

エグゼクティブサマリー

  • 世界市場の見通し
  • 供給と需要の動向分析
  • セグメント別機会分析

市場力学と見通し

  • 市場概要
  • 市場規模
  • 市場力学
    • 促進要因と機会
    • 抑制要因と課題
  • ポーターの分析

主な市場の考察

  • 重要成功要因
  • 競合の程度
  • 主な投資機会
  • 市場エコシステム
  • 市場の魅力指数(2024年)
  • PESTEL分析
  • マクロ経済指標
  • バリューチェーン分析
  • 価格分析
  • ケーススタディ
  • 顧客購買行動分析

オンライン音楽教育市場規模:楽器の種類別& CAGR(2025-2032)

  • 市場概要
  • ピアノ
  • ギター
  • バイオリン
  • ウクレレ
  • ドラムとパーカッション
  • 管楽器と金管楽器
  • その他の楽器

オンライン音楽教育市場規模:プラットフォーム別& CAGR(2025-2032)

  • 市場概要
  • アプリベース
  • ウェブベース
  • ハイブリッド(アプリ+ウェブ)

オンライン音楽教育市場規模:エンドユーザー別& CAGR(2025-2032)

  • 市場概要
  • 個人学習者
  • K-12教育機関
  • 高等教育
  • 音楽学校と音楽院
  • 企業/専門職開発

オンライン音楽教育市場規模:学習モデル別& CAGR(2025-2032)

  • 市場概要
  • 自分のペースで学べる非同期コース
  • ライブインストラクターによるマンツーマン
  • ライブインストラクター主導のグループクラス
  • ブレンド型(ライブ+ 自分のペース)

オンライン音楽教育市場規模:セッション形式別& CAGR(2025-2032)

  • 市場概要
  • 1対1
  • 小グループ(2~5名)
  • 大規模グループ/ウェビナー
  • マスタークラス/ワークショップ

オンライン音楽教育市場規模:地域別& CAGR(2025-2032)

  • 北米
    • 米国
    • カナダ
  • 欧州
    • ドイツ
    • スペイン
    • フランス
    • 英国
    • イタリア
    • その他欧州地域
  • アジア太平洋地域
    • 中国
    • インド
    • 日本
    • 韓国
    • その他アジア太平洋地域
  • ラテンアメリカ
    • ブラジル
    • その他ラテンアメリカ地域
  • 中東・アフリカ
    • GCC諸国
    • 南アフリカ
    • その他中東・アフリカ

競合情報

  • 上位5社の比較
  • 主要企業の市場ポジショニング(2024年)
  • 主な市場企業が採用した戦略
  • 最近の市場動向
  • 企業の市場シェア分析(2024年)
  • 主要企業の企業プロファイル
    • 企業の詳細
    • 製品ポートフォリオ分析
    • 企業のセグメント別シェア分析
    • 収益の前年比比較(2022-2024年)

主要企業プロファイル

  • Yousician Ltd.
  • JoyTunes Ltd.(Simply)
  • Flowkey GmbH
  • Skoove GmbH
  • Lessonface Inc.
  • JamPlay LLC
  • TrueFire Studios LLC
  • Tonara Ltd.
  • Musika Lessons Inc.
  • MusicGurus Ltd.
  • Point Blank Music School Ltd.
  • Berklee Online(Berklee College of Music)
  • Coursera Inc.(Music Segment)
  • Udemy Inc.(Music Segment)
  • Simply Guitar(by JoyTunes)
  • Caldecott Music Group/BandLab
  • JamKazam Inc.
  • MOOSIKO Inc.
  • Melodics Ltd.

結論と提言

目次
Product Code: SQMIG25R2035

Global Online Music Education Market size was valued at USD 1.6 billion in 2023 and is poised to grow from USD 1.83 billion in 2024 to USD 5.41 billion by 2032, growing at a CAGR of 14.5% during the forecast period (2025-2032).

The global online music education market is experiencing significant growth driven by enhanced internet accessibility and the widespread use of connected devices, making music learning more attainable across various regions. There is an increasing demand for industry-specific certifications as students seek professional credibility within the music sector. Innovations in EdTech, including interactive software, AI-based feedback, and virtual instruments, elevate the quality and engagement levels of online music training. The shift toward online learning, characterized by flexible schedules and budget-friendly platforms, attracts both music enthusiasts and aspiring musicians, propelling the market's expansion. However, challenges such as limited hands-on interaction, inconsistent access to high-speed internet, and technical difficulties during live sessions may hinder further growth in this sector.

Top-down and bottom-up approaches were used to estimate and validate the size of the Global Online Music Education market and to estimate the size of various other dependent submarkets. The research methodology used to estimate the market size includes the following details: The key players in the market were identified through secondary research, and their market shares in the respective regions were determined through primary and secondary research. This entire procedure includes the study of the annual and financial reports of the top market players and extensive interviews for key insights from industry leaders such as CEOs, VPs, directors, and marketing executives. All percentage shares split, and breakdowns were determined using secondary sources and verified through Primary sources. All possible parameters that affect the markets covered in this research study have been accounted for, viewed in extensive detail, verified through primary research, and analyzed to get the final quantitative and qualitative data.

Global Online Music Education Market Segments Analysis

Global Online Music Education Market is segmented by Instrument Type, Platform, End-user, Learning Model, Session Format and region. Based on Instrument Type, the market is segmented into Piano, Guitar, Violin, Ukulele, Drums and Percussion, Wind and Brass and Other Instruments. Based on Platform, the market is segmented into App-Based, Web-Based and Hybrid (App + Web). Based on End-user, the market is segmented into Individual Learners, K-12 Institutions, Higher Education, Music Schools and Conservatories and Corporate/Professional Development. Based on Learning Model, the market is segmented into Self-Paced Asynchronous Courses, Live Instructor-Led One-to-One, Live Instructor-Led Group Classes and Blended (Live + Self-Paced). Based on Session Format, the market is segmented into One-to-One, Small Group (2-5 Learners), Large Group/Webinar and Masterclass/Workshop. Based on region, the market is segmented into North America, Europe, Asia Pacific, Latin America and Middle East & Africa.

Driver of the Global Online Music Education Market

The expansion of high-speed internet combined with the increasing use of smartphones, tablets, and laptops has significantly enhanced access to online music education. This technological advancement allows students, regardless of their location-be it urban or rural-to easily stream lessons, utilize online resources, and interact with instructors in real-time. Such capabilities foster a more engaging and effective learning environment, leading to a rise in the popularity and acceptance of online music education globally. As a result, more individuals are embracing these digital platforms, contributing to the overall growth and dynamism of the market.

Restraints in the Global Online Music Education Market

A significant challenge facing the Global Online Music Education market is the lack of immediate, hands-on feedback that traditional methods provide. Online music lessons often fall short in offering the direct, in-person support that is crucial for mastering instruments and techniques. This absence can hinder students' ability to grasp essential elements such as posture, tone, and timing-particularly for beginners who would greatly benefit from the immediate guidance of an instructor. The opportunity to observe demonstrations and receive real-time corrections is vital for effective learning, making this limitation a notable obstacle in the online music education landscape.

Market Trends of the Global Online Music Education Market

The Global Online Music Education market is witnessing a significant trend towards the integration of Generative AI and personalized learning paths. Future platforms will leverage AI technologies to create customized practice exercises and deliver adaptive feedback, making the music learning experience more intuitive and responsive to individual skill levels and styles. This evolution will enhance the accessibility of music education, particularly in underserved regions, as AI instructors can effectively emulate live teachers at reduced costs. Consequently, this trend is poised to democratize music education, expanding its reach and fostering a diverse community of learners across the globe.

Table of Contents

Introduction

  • Objectives of the Study
  • Scope of the Report
  • Definitions

Research Methodology

  • Information Procurement
  • Secondary & Primary Data Methods
  • Market Size Estimation
  • Market Assumptions & Limitations

Executive Summary

  • Global Market Outlook
  • Supply & Demand Trend Analysis
  • Segmental Opportunity Analysis

Market Dynamics & Outlook

  • Market Overview
  • Market Size
  • Market Dynamics
    • Drivers & Opportunities
    • Restraints & Challenges
  • Porters Analysis
    • Competitive rivalry
    • Threat of substitute
    • Bargaining power of buyers
    • Threat of new entrants
    • Bargaining power of suppliers

Key Market Insights

  • Key Success Factors
  • Degree of Competition
  • Top Investment Pockets
  • Market Ecosystem
  • Market Attractiveness Index, 2024
  • PESTEL Analysis
  • Macro-Economic Indicators
  • Value Chain Analysis
  • Pricing Analysis
  • Case Studies
  • Customer Buying Behavior Analysis

Global Online Music Education Market Size by Instrument Type & CAGR (2025-2032)

  • Market Overview
  • Piano
  • Guitar
  • Violin
  • Ukulele
  • Drums and Percussion
  • Wind and Brass
  • Other Instruments

Global Online Music Education Market Size by Platform & CAGR (2025-2032)

  • Market Overview
  • App-Based
  • Web-Based
  • Hybrid (App + Web)

Global Online Music Education Market Size by End-user & CAGR (2025-2032)

  • Market Overview
  • Individual Learners
  • K-12 Institutions
  • Higher Education
  • Music Schools and Conservatories
  • Corporate/Professional Development

Global Online Music Education Market Size by Learning Model & CAGR (2025-2032)

  • Market Overview
  • Self-Paced Asynchronous Courses
  • Live Instructor-Led One-to-One
  • Live Instructor-Led Group Classes
  • Blended (Live + Self-Paced)

Global Online Music Education Market Size by Session Format & CAGR (2025-2032)

  • Market Overview
  • One-to-One
  • Small Group (2-5 Learners)
  • Large Group/Webinar
  • Masterclass/Workshop

Global Online Music Education Market Size & CAGR (2025-2032)

  • North America (Instrument Type, Platform, End-user, Learning Model, Session Format)
    • US
    • Canada
  • Europe (Instrument Type, Platform, End-user, Learning Model, Session Format)
    • Germany
    • Spain
    • France
    • UK
    • Italy
    • Rest of Europe
  • Asia Pacific (Instrument Type, Platform, End-user, Learning Model, Session Format)
    • China
    • India
    • Japan
    • South Korea
    • Rest of Asia-Pacific
  • Latin America (Instrument Type, Platform, End-user, Learning Model, Session Format)
    • Brazil
    • Rest of Latin America
  • Middle East & Africa (Instrument Type, Platform, End-user, Learning Model, Session Format)
    • GCC Countries
    • South Africa
    • Rest of Middle East & Africa

Competitive Intelligence

  • Top 5 Player Comparison
  • Market Positioning of Key Players, 2024
  • Strategies Adopted by Key Market Players
  • Recent Developments in the Market
  • Company Market Share Analysis, 2024
  • Company Profiles of All Key Players
    • Company Details
    • Product Portfolio Analysis
    • Company's Segmental Share Analysis
    • Revenue Y-O-Y Comparison (2022-2024)

Key Company Profiles

  • Yousician Ltd.
    • Company Overview
    • Business Segment Overview
    • Financial Updates
    • Key Developments
  • JoyTunes Ltd. (Simply)
    • Company Overview
    • Business Segment Overview
    • Financial Updates
    • Key Developments
  • Flowkey GmbH
    • Company Overview
    • Business Segment Overview
    • Financial Updates
    • Key Developments
  • Skoove GmbH
    • Company Overview
    • Business Segment Overview
    • Financial Updates
    • Key Developments
  • Lessonface Inc.
    • Company Overview
    • Business Segment Overview
    • Financial Updates
    • Key Developments
  • JamPlay LLC
    • Company Overview
    • Business Segment Overview
    • Financial Updates
    • Key Developments
  • TrueFire Studios LLC
    • Company Overview
    • Business Segment Overview
    • Financial Updates
    • Key Developments
  • Tonara Ltd.
    • Company Overview
    • Business Segment Overview
    • Financial Updates
    • Key Developments
  • Musika Lessons Inc.
    • Company Overview
    • Business Segment Overview
    • Financial Updates
    • Key Developments
  • MusicGurus Ltd.
    • Company Overview
    • Business Segment Overview
    • Financial Updates
    • Key Developments
  • Point Blank Music School Ltd.
    • Company Overview
    • Business Segment Overview
    • Financial Updates
    • Key Developments
  • Berklee Online (Berklee College of Music)
    • Company Overview
    • Business Segment Overview
    • Financial Updates
    • Key Developments
  • Coursera Inc. (Music Segment)
    • Company Overview
    • Business Segment Overview
    • Financial Updates
    • Key Developments
  • Udemy Inc. (Music Segment)
    • Company Overview
    • Business Segment Overview
    • Financial Updates
    • Key Developments
  • Simply Guitar (by JoyTunes)
    • Company Overview
    • Business Segment Overview
    • Financial Updates
    • Key Developments
  • Caldecott Music Group / BandLab
    • Company Overview
    • Business Segment Overview
    • Financial Updates
    • Key Developments
  • JamKazam Inc.
    • Company Overview
    • Business Segment Overview
    • Financial Updates
    • Key Developments
  • MOOSIKO Inc.
    • Company Overview
    • Business Segment Overview
    • Financial Updates
    • Key Developments
  • Melodics Ltd.
    • Company Overview
    • Business Segment Overview
    • Financial Updates
    • Key Developments

Conclusion & Recommendations