スマートフォン向け音楽制作ソフトウェア市場規模、シェア、成長分析、コンポーネント別、オペレーティングシステム別、用途別、地域別-2025年～2032年産業予測

スマートフォン向け音楽制作ソフトウェアの世界市場規模は2023年に8,699万米ドルとなり、2024年の9,517万米ドルから2032年には1億9,527万米ドルに成長し、予測期間（2025年～2032年）のCAGRは9.4%で成長する見通しです。

世界のスマートフォン向け音楽制作ソフトウェア市場は、スマートフォンの普及とモバイルおよびオーディオ処理技術の進歩によって大きな成長を遂げています。ミュージシャン、プロデューサー、愛好家たちは、強力なモバイル機器を活用して、音楽を簡単に作成、編集、共有しています。この動向は、ユーザーフレンドリーなデジタル・オーディオ・ワークステーションや、モバイル用に調整された音楽制作ツールに対する需要の高まりを浮き彫りにしています。これらのソフトウェア・ソリューションの手頃な価格と機能性により、多様なユーザー層が音楽制作にアクセスしやすくなっています。市場拡大を後押しする主な要因としては、リアルタイムのコラボレーション、インテリジェントなマスタリング、適応性の高いサウンドデザインを可能にするクラウドコラボレーションと人工知能の統合が挙げられます。さらに、ソーシャルメディア上のユーザー生成コンテンツの急増により、スマートフォンユーザーの間で、高速で直感的な音楽制作機能に対するニーズが高まっています。

目次

イントロダクション

• 調査の目的
• 調査範囲
• 定義

調査手法

• 情報調達
• 二次と一次データの方法
• 市場規模予測
• 市場の前提条件と制限

エグゼクティブサマリー

• 世界市場の見通し
• 供給と需要の動向分析
• セグメント別機会分析

市場力学と見通し

• 市場概要
• 市場規模
• 市場力学
  • 促進要因と機会
  • 抑制要因と課題
• ポーターの分析

主な市場の考察

• 重要成功要因
• 競合の程度
• 主な投資機会
• 市場エコシステム
• 市場の魅力指数（2024年）
• PESTEL分析
• マクロ経済指標
• バリューチェーン分析
• 価格分析
• 技術分析
• ケーススタディ
• 顧客購買行動分析

スマートフォン向け音楽制作ソフトウェア市場規模：コンポーネント別& CAGR（2025年～2032年）

• 市場概要
• ソフトウェアツール
• サポートサービス

スマートフォン向け音楽制作ソフトウェア市場規模：オペレーティングシステム別& CAGR（2025年～2032年）

• 市場概要
• アンドロイド
• iOS
• その他のオペレーティングシステム

スマートフォン向け音楽制作ソフトウェア市場規模：用途別& CAGR（2025年～2032年）

• 市場概要
• 音楽作曲
• サウンドデザイン
• オーディオミキシング
• マスタリング

スマートフォン向け音楽制作ソフトウェア市場規模& CAGR（2025年～2032年）

• 北米
  • 米国
  • カナダ
• 欧州
  • ドイツ
  • スペイン
  • フランス
  • 英国
  • イタリア
  • その他の欧州
• アジア太平洋
  • 中国
  • インド
  • 日本
  • 韓国
  • その他のアジア太平洋
• ラテンアメリカ
  • ブラジル
  • その他のラテンアメリカ
• 中東・アフリカ
  • GCC諸国
  • 南アフリカ
  • その他の中東・アフリカ

競合情報

• 上位5社の比較
• 主要企業の市場ポジショニング（2024年）
• 主な市場企業が採用した戦略
• 最近の市場動向
• 企業の市場シェア分析（2024年）
• 主要企業の企業プロファイル
  • 企業の詳細
  • 製品ポートフォリオ分析
  • 企業のセグメント別シェア分析
  • 収益の前年比比較（2022年～2024年）

主要企業プロファイル

• Apple Inc.（United States）
• Soundverse AI（United States）
• Roland Corporation（Japan）
• Native Instruments GmbH（Germany）
• Image-Line Software（Belgium）
• Steinberg Media Technologies GmbH（Germany）
• KORG Inc.（Japan）
• Bandpass（United States）
• Moises Systems（United States）
• Amped Studio（Sweden）
• HumOn Inc.（South Korea）
• Audiobridge（United States）
• Mixvibes（France）
• Soundtrap by Spotify（Sweden）
• FL Studio Mobile（Belgium）

結論と提言

Global Smartphone Music Production Software Market size was valued at USD 86.99 Million in 2023 poised to grow from USD 95.17 Million in 2024 to USD 195.27 Million by 2032, growing at a CAGR of 9.4% in the forecast period (2025-2032).

The global Smartphone Music Production Software Market is experiencing significant growth driven by the widespread adoption of smartphones and advancements in mobile and audio processing technologies. Musicians, producers, and enthusiasts are harnessing powerful mobile devices to create, edit, and share music effortlessly. This trend highlights a rising demand for user-friendly digital audio workstations and music creation tools tailored for mobile use. The affordability and functionality of these software solutions make music production accessible to diverse user demographics. Key factors propelling market expansion include the integration of cloud collaboration and artificial intelligence, which enable real-time collaboration, intelligent mastering, and adaptive sound design. Furthermore, the surge in user-generated content on social media is increasing the need for fast, intuitive music-making capabilities among smartphone users.

Top-down and bottom-up approaches were used to estimate and validate the size of the Global Smartphone Music Production Software market and to estimate the size of various other dependent submarkets. The research methodology used to estimate the market size includes the following details: The key players in the market were identified through secondary research, and their market shares in the respective regions were determined through primary and secondary research. This entire procedure includes the study of the annual and financial reports of the top market players and extensive interviews for key insights from industry leaders such as CEOs, VPs, directors, and marketing executives. All percentage shares split, and breakdowns were determined using secondary sources and verified through Primary sources. All possible parameters that affect the markets covered in this research study have been accounted for, viewed in extensive detail, verified through primary research, and analyzed to get the final quantitative and qualitative data.

Global Smartphone Music Production Software Market Segments Analysis

The global smartphone music production software market is segmented based on component, operating system, application, and region. In terms of component, the market is divided into software tools and support services. Based on operating system, the market is categorized into Android, iOS, and other operating systems. Based on application, the market is segmented into music composition, sound design, audio mixing, and mastering. Based on region, the market is segmented into North America, Europe, Asia-Pacific, Central and South America, and the Middle East and Africa.

Driver of the Global Smartphone Music Production Software Market

The rise of social media platforms, combined with the popularity of short-form video content and independent publishing, has significantly boosted the demand for user-friendly music production software tailored for smartphones. As aspiring creators seek to craft and share original music and audio effortlessly, mobile music production offers a cost-effective and accessible solution compared to conventional studio setups. This cultural shift is driving market expansion, as music creation on smartphones transcends traditional boundaries, appealing not only to professional musicians but also to a diverse range of individuals, including hobbyists, content creators, and influencers who wish to express their creativity.

Restraints in the Global Smartphone Music Production Software Market

Despite advancements in technology, smartphones often lack the necessary processing power, storage capacity, and battery longevity when compared to specialized production equipment or desktop computers. The demands of high-quality sound processing and real-time audio manipulation require significant resources, which can result in performance issues or delays on lower-end devices. These inherent limitations hinder the effective use of advanced functionalities within smartphone music production software. Consequently, this challenge poses a considerable barrier to the widespread adoption and penetration of smartphone music production software in the global market, ultimately affecting user experience and satisfaction.

Market Trends of the Global Smartphone Music Production Software Market

The Global Smartphone Music Production Software market is experiencing a significant trend towards AI-driven composition assistance, revolutionizing the way music is created. By integrating generative AI technologies, these software solutions enable users to streamline the music-making process, refining beat-making and arrangement in real time. This innovation not only enhances creativity by allowing for rapid ideation but also alleviates the burden of repetitive tasks, thereby customizing the creative workflow. As a result, music production becomes more efficient and accessible, appealing to both experienced musicians and non-technical users alike, ultimately democratizing the art of music creation on mobile platforms.

Table of Contents

Introduction

• Objectives of the Study
• Scope of the Report
• Definitions

Research Methodology

• Information Procurement
• Secondary & Primary Data Methods
• Market Size Estimation
• Market Assumptions & Limitations

Executive Summary

• Global Market Outlook
• Supply & Demand Trend Analysis
• Segmental Opportunity Analysis

Market Dynamics & Outlook

• Market Overview
• Market Size
• Market Dynamics
  • Drivers & Opportunities
  • Restraints & Challenges
• Porters Analysis
  • Competitive rivalry
  • Threat of substitute
  • Bargaining power of buyers
  • Threat of new entrants
  • Bargaining power of suppliers

Key Market Insights

• Key Success Factors
• Degree of Competition
• Top Investment Pockets
• Market Ecosystem
• Market Attractiveness Index, 2024
• PESTEL Analysis
• Macro-Economic Indicators
• Value Chain Analysis
• Pricing Analysis
• Technology Analysis
• Case Studies
• Customer Buying Behavior Analysis

Global Smartphone Music Production Software Market Size by Component & CAGR (2025-2032)

• Market Overview
• Software Tools
• Support Services

Global Smartphone Music Production Software Market Size by Operating System & CAGR (2025-2032)

• Market Overview
• Android
• iOS
• Other Operating Systems

Global Smartphone Music Production Software Market Size by Application & CAGR (2025-2032)

• Market Overview
• Music Composition
• Sound Design
• Audio Mixing
• Mastering

Global Smartphone Music Production Software Market Size & CAGR (2025-2032)

• North America (Component, Operating System, Application)
  • US
  • Canada
• Europe (Component, Operating System, Application)
  • Germany
  • Spain
  • France
  • UK
  • Italy
  • Rest of Europe
• Asia Pacific (Component, Operating System, Application)
  • China
  • India
  • Japan
  • South Korea
  • Rest of Asia-Pacific
• Latin America (Component, Operating System, Application)
  • Brazil
  • Rest of Latin America
• Middle East & Africa (Component, Operating System, Application)
  • GCC Countries
  • South Africa
  • Rest of Middle East & Africa

Competitive Intelligence

• Top 5 Player Comparison
• Market Positioning of Key Players, 2024
• Strategies Adopted by Key Market Players
• Recent Developments in the Market
• Company Market Share Analysis, 2024
• Company Profiles of All Key Players
  • Company Details
  • Product Portfolio Analysis
  • Company's Segmental Share Analysis
  • Revenue Y-O-Y Comparison (2022-2024)

Key Company Profiles

• Apple Inc. (United States)
  • Company Overview
  • Business Segment Overview
  • Financial Updates
  • Key Developments
• Soundverse AI (United States)
  • Company Overview
  • Business Segment Overview
  • Financial Updates
  • Key Developments
• Roland Corporation (Japan)
  • Company Overview
  • Business Segment Overview
  • Financial Updates
  • Key Developments
• Native Instruments GmbH (Germany)
  • Company Overview
  • Business Segment Overview
  • Financial Updates
  • Key Developments
• Image-Line Software (Belgium)
  • Company Overview
  • Business Segment Overview
  • Financial Updates
  • Key Developments
• Steinberg Media Technologies GmbH (Germany)
  • Company Overview
  • Business Segment Overview
  • Financial Updates
  • Key Developments
• KORG Inc. (Japan)
  • Company Overview
  • Business Segment Overview
  • Financial Updates
  • Key Developments
• Bandpass (United States)
  • Company Overview
  • Business Segment Overview
  • Financial Updates
  • Key Developments
• Moises Systems (United States)
  • Company Overview
  • Business Segment Overview
  • Financial Updates
  • Key Developments
• Amped Studio (Sweden)
  • Company Overview
  • Business Segment Overview
  • Financial Updates
  • Key Developments
• HumOn Inc. (South Korea)
  • Company Overview
  • Business Segment Overview
  • Financial Updates
  • Key Developments
• Audiobridge (United States)
  • Company Overview
  • Business Segment Overview
  • Financial Updates
  • Key Developments
• Mixvibes (France)
  • Company Overview
  • Business Segment Overview
  • Financial Updates
  • Key Developments
• Soundtrap by Spotify (Sweden)
  • Company Overview
  • Business Segment Overview
  • Financial Updates
  • Key Developments
• FL Studio Mobile (Belgium)
  • Company Overview
  • Business Segment Overview
  • Financial Updates
  • Key Developments

Conclusion & Recommendations