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音楽イベントの世界市場：収益源別、ジャンル別、タイプ別、年齢層別、性別 - 機会分析と産業予測、2024年～2035年

Music Event Market By Revenue Source, By Genre, By Type, By Age Group, By Gender : Global Opportunity Analysis and Industry Forecast, 2024-2035

出版日
ページ情報
英文 416 Pages
納期
2～3営業日
価格
価格表記: USDを日本円(税抜)に換算
本日の銀行送金レート: 1USD=143.57円
音楽イベントの世界市場：収益源別、ジャンル別、タイプ別、年齢層別、性別 - 機会分析と産業予測、2024年～2035年
出版日: 2024年12月01日
発行: Allied Market Research
ページ情報: 英文 416 Pages
納期: 2～3営業日
GIIご利用のメリット
  • 全表示
  • 概要
  • 目次
概要

音楽イベント市場は、2023年には2,508億米ドルとなり、2024年から2035年までのCAGRは10.2％を示し、2035年までには7,757億米ドルに達すると推定されています。

Music Event Market-IMG1

音楽イベントとは、音楽パフォーマンスを観客に披露する集会や催しのことです。このようなイベントは、小規模で親密なコンサートから大規模なフェスティバルまで幅広く、様々なジャンル、アーティスト、文化的影響を特徴とすることができます。音楽イベントは、ライブパフォーマンスだけでなく、芸術、文化、コミュニティの要素も取り入れ、参加者にとって忘れられない体験を作り出します。

世界の音楽イベント市場の成長は、可処分所得の増加により、個人が音楽イベント、フェスティバル、コンサートへの参加を含む余暇活動に多くの支出をするようになったことと、ライブ音楽体験の人気が高まったことが背景にあります。Statistaによる2024年の調査によると、音楽ツアーの売上高は2022年の55億5,000万米ドルから、2023年には91億7,000万米ドルと過去最高を記録しました。さらに、ソーシャルメディア・プラットフォームやストリーミング・サービスは、アーティストとファンのつながりを強化し、お気に入りのパフォーマーを見るためにライブイベントへの参加を促し、市場成長に大きく寄与しています。さらに、多様なラインナップとアクティビティを特徴とする大規模な音楽フェスティバルの人気が高まっており、チケット販売、スポンサーシップ、マーチャンダイジングを通じて市場成長に寄与しています。例えば、音楽とライブイベントに特化した人気のオンラインプラットフォームであるJamBaseは、2024年に2,184の音楽フェスティバルを記録し、45,522組のアーティストが出演しました。さらに、環境に優しい活動を採用し、持続可能性を促進する音楽イベントは、環境意識の高い消費者の共感を呼び、観客動員や支持を促進します。次世代イベント・チケッティング、マーケティング、マネジメント、インテリジェンス、収益加速プラットフォームであるThe Ticket Fairyが2024年に発表したブログでは、回答者の69％が自然に焦点を当てた体験を提供する音楽イベント＆フェスティバルに魅力を感じていることが明らかになりました。しかし、ストリーミングサービスやバーチャルコンサートの普及は、ライブイベントに代わる手頃で便利な選択肢を提供しており、市場成長の妨げとなっています。さらに、音楽ライブイベントの開催には、会場レンタル、アーティストへのギャラ、技術的なセットアップ、セキュリティ、マーケティングなど、多額の費用がかかるため、世界市場の成長を大きく抑制しています。逆に、イベント体験を向上させ、より大規模で多様な聴衆を魅了するバーチャルリアリティ、拡張現実、高度なサウンドシステムなどのイベント技術の進歩は、予測期間中に世界市場の拡大に有利な機会を提供すると期待されています。

世界の音楽イベント市場は、収益源、ジャンル、タイプ、年齢層、性別、地域に区分されます。収益源によって、市場はチケット、スポンサーシップ、その他に分けられます。ジャンル別では、ロック、ポップ、EDM、その他に分けられます。タイプ別では、音楽フェスティバル、音楽コンサート、音楽ショー、その他に分けられます。年齢層別では、20歳未満、21歳から40歳、40歳以上に区分されます。性別では、男性と女性に二分されます。地域別では、北米、欧州、アジア太平洋、ラテンアメリカ、中東・アフリカで分析されます。

主な調査結果

  • 収益源別では、チケットセグメントが2023年の音楽イベント市場を独占し、2024年から2035年までその優位性を維持すると予測されます。
  • ジャンル別では、ポップス分野が2023年に最も高い成長を示し、予測期間中も同じ傾向が続くと予測されます。
  • タイプ別では、音楽コンサートセグメントが2023年に音楽イベント市場をリードし、近い将来に最も高い成長を記録すると予測されます。
  • 年齢層別では、2023年に21歳から40歳のセグメントが圧倒的な強さを見せ、予測期間中も同じ動向を維持するとみられます。
  • 性別では、女性セグメントが2023年に顕著なペースで成長し、予測期間中も優位性を維持すると予測されています。
  • 地域別では、欧州が2023年に音楽イベント市場で最も有利な市場に浮上し、予測期間を通じて堅調な成長が見込まれます。

競合分析

利害関係者にとっての主なメリット

  • 当レポートでは、2023年から2035年にかけての音楽イベント市場分析の市場セグメント、現在の動向、推定・動向分析、ダイナミクスを定量的に分析し、一般的な音楽イベント市場の機会を特定します。
  • 市場促進要因、市場抑制要因、市場機会に関連する情報とともに市場調査を提供します。
  • ポーターのファイブフォース分析では、利害関係者が利益重視のビジネス決定を下し、サプライヤーとバイヤーのネットワークを強化できるよう、バイヤーとサプライヤーの潜在力を明らかにします。
  • 音楽イベント市場のセグメンテーションを詳細に分析することで、市場機会を見極めることができます。
  • 各地域の主要国は、世界市場への収益貢献度に応じてマッピングされています。
  • 市場プレイヤーのポジショニングはベンチマークを容易にし、市場プレイヤーの現在のポジションを明確に理解することができます。
  • 本レポートには、地域および世界の音楽イベント市場動向、主要企業、市場セグメント、応用分野、市場成長戦略の分析が含まれています。

本レポートで可能なカスタマイズ（追加費用とスケジュールが必要です。）

  • 顧客の関心に応じた企業プロファイルの追加
  • 国別または地域別の追加分析-市場規模と予測
  • ブランドシェア分析
  • クリスクロスセグメント分析-市場規模と予測
  • 企業プロファイルの拡張リスト
  • 過去の市場データ
  • 主要企業の詳細（所在地、連絡先、サプライヤー／ベンダーネットワークなどを含む、エクセル形式）
  • 顧客/消費者/原料サプライヤーのリスト-バリューチェーン分析

目次

第1章 イントロダクション

第2章 エグゼクティブサマリー

第3章 市場概要

  • 市場の定義と範囲
  • 主な調査結果
    • 主要な影響要因
    • 主要な投資機会
  • ポーターのファイブフォース分析
  • 市場力学
    • 促進要因
      • 音楽観光の急増
      • 音楽ライブイベントが市場成長を後押しする見込み
      • 可処分所得の増加
    • 抑制要因
      • データ保護に関する政府のダイナミックな政策
      • 既存の巨大プレイヤーの存在による参入障壁
      • イベント開催に伴う高い運営コスト
    • 機会
      • Mコマースの浸透
      • インフラ開発投資の急増

第4章 音楽イベント市場：収入源別

  • 概要
  • チケット
  • スポンサーシップ
  • その他

第5章 音楽イベント市場：ジャンル別

  • 概要
  • ロック
  • ポップ
  • EDM
  • その他

第6章 音楽イベント市場：タイプ別

  • 概要
  • 音楽フェスティバル
  • 音楽コンサート
  • 音楽ショー
  • その他

第7章 音楽イベント市場：年齢層別

  • 概要
  • 20歳未満
  • 21～40歳
  • 40歳以上

第8章 音楽イベント市場：男女別

  • 概要
  • 男性
  • 女性

第9章 音楽イベント市場：地域別

  • 概要
  • 北米
    • 米国
    • カナダ
    • メキシコ
  • 欧州
    • ドイツ
    • フランス
    • 英国
    • イタリア
    • スペイン
    • オランダ
    • その他
  • アジア太平洋
    • 中国
    • 日本
    • インド
    • 韓国
    • オーストラリア
    • シンガポール
    • その他
  • ラテンアメリカ・中東・アフリカ
    • ブラジル
    • 南アフリカ
    • サウジアラビア
    • UAE
    • アルゼンチン
    • その他

第10章 競争情勢

  • イントロダクション
  • 主要成功戦略
  • 主要10社の製品マッピング
  • 競合ダッシュボード
  • 競合ヒートマップ
  • 主要企業のポジショニング、2023年

第11章 企業プロファイル

  • ACCESS DESTINATION SERVICES
  • Anschutz Entertainment Group
  • Basset Events, Inc.
  • BCD GROUP
  • Carlson, Inc.
  • Colin Cowie Lifestyle
  • Eventbrite, Inc.
  • Insomniac Holdings. LLC.
  • Live Nation
  • Outback Presents, LLC.
  • Rafanelli Events, Inc.
目次
Product Code: A08029

The music event market was valued at $250.8 billion in 2023 and is estimated to reach $775.7 billion by 2035, exhibiting a CAGR of 10.2% from 2024 to 2035.

Music Event Market - IMG1

A music event is a gathering or occasion where musical performances are showcased for an audience. These events can range from small, intimate concerts to large-scale festivals and can feature various genres, artists, and cultural influences. Music events are not only about live performances they also incorporate elements of art, culture, and community, creating memorable experiences for attendees.

The growth of the global music event market is driven by increase in disposable income, which has enabled individuals to spend more on leisure activities, including attending music events, festivals, and concerts and increase in popularity of live music experiences. As per a 2024 study by Statista, music tours reached a record revenue of $9.17 billion in 2023 from $5.55 billion in 2022. Furthermore, social media platforms and streaming services have strengthened the connection between artists and fans, encouraging attendance at live events to see favorite performers, which significantly contributes toward the market growth. Moreover, large-scale music festivals featuring diverse lineups and activities are increasingly popular, contributing to market growth through ticket sales, sponsorships, and merchandising. For instance, JamBase-a popular online platform dedicated to music and live events-recorded 2,184 music festivals in 2024, featuring 45,522 artists. In addition, music events that adopt eco-friendly practices and promote sustainability resonate with environmentally conscious consumers, driving attendance and support. A blog published in 2024 by The Ticket Fairy-a next-generation event ticketing, marketing, management, intelligence and revenue acceleration platform-revealed that 69% of the respondents are attracted toward music events & festivals that offer nature-focused experiences. However, rise in penetration of streaming services and virtual concerts offers affordable and convenient alternatives to live events, which hampers the market growth. Moreover, organizing live music events involves significant expenses, including venue rental, artist fees, technical setup, security, and marketing, which significantly restrains the growth of the global market. On the contrary, advancements on event technologies such as virtual reality, augmented reality, and advanced sound systems that enhance the event experience and attract larger and more diverse audiences are expected to offer lucrative opportunities for the expansion of the global market during the forecast period.

The global music event market is segmented into revenue source, genre, type, age group, gender, and region. By revenue source, the market is divided into tickets, sponsorships, and others. Depending on genre, it is divided into rock, pop, EDM, and others. On the basis of type, it is segregated into music festivals, music concerts, music shows, and others. Depending on age group, it is fragmented into below 20 years, 21 to 40 years, and above 40 years. By gender, it is bifurcated into male and female. Region wise, it is analyzed across North America, Europe, Asia-Pacific, and LAMEA.

Key Findings

  • By revenue source, the ticket segment dominated the music events market in 2023, and is anticipated to maintain its dominance from 2024 to 2035.
  • On the basis of genre, the pop segment exhibited the highest growth in 2023, and is expected to continue the same trend during the forecast period.
  • Depending on type, the music concert segment led the music events market in 2023, and is projected to register highest growth in the near future.
  • As per age group, the 21-40 years segment emerged as the dominant force in 2023, and is likely to maintain the same trend throughout the forecast period.
  • Depending on gender, the female segment grew at a notable pace in 2023, and is anticipated to maintain its dominance during the forecast period.
  • Region, Europe emerged as the most lucrative market for music events market in 2023, and is expected to show robust growth throughout the forecast period.

Competitive Analysis

The key players operating in the music event market are Access Destination Services, LLC, Anschutz Entertainment Group, Basset Events, Inc., BCD Group, Colin Cowie Lifestyle, Carlson, Inc., Eventbrite, Inc., Insomniac Holdings, LLC, Outback Presents, LLC, Rafanelli Events, and Live Nation. These players have adopted acquisition, agreement, collaboration, joint venture, partnership, and product launch as their key developmental strategies to sustain the intense competition and gain a strong foothold in the global market.

Key Benefits For Stakeholders

  • This report provides a quantitative analysis of the market segments, current trends, estimations, and dynamics of the music event market analysis from 2023 to 2035 to identify the prevailing music event market opportunities.
  • The market research is offered along with information related to key drivers, restraints, and opportunities.
  • Porter's five forces analysis highlights the potency of buyers and suppliers to enable stakeholders make profit-oriented business decisions and strengthen their supplier-buyer network.
  • In-depth analysis of the music event market segmentation assists to determine the prevailing market opportunities.
  • Major countries in each region are mapped according to their revenue contribution to the global market.
  • Market player positioning facilitates benchmarking and provides a clear understanding of the present position of the market players.
  • The report includes the analysis of the regional as well as global music event market trends, key players, market segments, application areas, and market growth strategies.

Additional benefits you will get with this purchase are:

  • Quarterly Update and* (only available with a corporate license, on listed price)
  • 5 additional Company Profile of client Choice pre- or Post-purchase, as a free update.
  • Free Upcoming Version on the Purchase of Five and Enterprise User License.
  • 16 analyst hours of support* (post-purchase, if you find additional data requirements upon review of the report, you may receive support amounting to 16 analyst hours to solve questions, and post-sale queries)
  • 15% Free Customization* (in case the scope or segment of the report does not match your requirements, 15% is equivalent to 3 working days of free work, applicable once)
  • Free data Pack on the Five and Enterprise User License. (Excel version of the report)
  • Free Updated report if the report is 6-12 months old or older.
  • 24-hour priority response*
  • Free Industry updates and white papers.

Possible Customization with this report (with additional cost and timeline, please talk to the sales executive to know more)

  • Additional company profiles with specific to client's interest
  • Additional country or region analysis- market size and forecast
  • Brands Share Analysis
  • Criss-cross segment analysis- market size and forecast
  • Expanded list for Company Profiles
  • Historic market data
  • Key player details (including location, contact details, supplier/vendor network etc. in excel format)
  • List of customers/consumers/raw material suppliers- value chain analysis

Key Market Segments

By Revenue Source

  • Tickets
  • Sponsorship
  • Others

By Genre

  • Rock
  • Pop
  • EDM
  • Others

By Type

  • Music Festivals
  • Music Concerts
  • Music Shows
  • Others

By Age Group

  • Below 20 Years
  • 21 to 40 Years
  • Above 40 Years

By Gender

  • Male
  • Female

By Region

  • North America
    • U.S.
    • Canada
    • Mexico
  • Europe
    • Germany
    • France
    • UK
    • Italy
    • Spain
    • Netherlands
    • Rest of Europe
  • Asia-Pacific
    • China
    • Japan
    • India
    • South Korea
    • Australia
    • Singapore
    • Rest of Asia-Pacific
  • LAMEA
    • Brazil
    • South Africa
    • Saudi Arabia
    • UAE
    • Argentina
    • Rest of LAMEA

Key Market Players:

    • ACCESS DESTINATION SERVICES
    • Anschutz Entertainment Group
    • Basset Events, Inc.
    • BCD GROUP
    • Carlson, Inc.
    • Eventbrite, Inc.
    • Insomniac Holdings. LLC.
    • Live Nation
    • Outback Presents, LLC.
    • Rafanelli Events, Inc.
    • Colin Cowie Lifestyle

TABLE OF CONTENTS

CHAPTER 1: INTRODUCTION

  • 1.1. Report description
  • 1.2. Key market segments
  • 1.3. Key benefits to the stakeholders
  • 1.4. Research methodology
    • 1.4.1. Primary research
    • 1.4.2. Secondary research
    • 1.4.3. Analyst tools and models

CHAPTER 2: EXECUTIVE SUMMARY

  • 2.1. CXO perspective

CHAPTER 3: MARKET OVERVIEW

  • 3.1. Market definition and scope
  • 3.2. Key findings
    • 3.2.1. Top impacting factors
    • 3.2.2. Top investment pockets
  • 3.3. Porter's five forces analysis
    • 3.3.1. High bargaining power of suppliers
    • 3.3.2. Moderate threat of new entrants
    • 3.3.3. Moderate threat of substitutes
    • 3.3.4. Moderate intensity of rivalry
    • 3.3.5. Moderate bargaining power of buyers
  • 3.4. Market dynamics
    • 3.4.1. Drivers
      • 3.4.1.1. Surge in music tourism
      • 3.4.1.2. Live music events are expected to boost the market growth
      • 3.4.1.3. Rise in disposable income
    • 3.4.2. Restraints
      • 3.4.2.1. Dynamic government policies pertaining to data protection
      • 3.4.2.2. Entry barriers due to presence of existing giant players
      • 3.4.2.3. High operational cost involved in organizing events
    • 3.4.3. Opportunities
      • 3.4.3.1. Rising penetration of m-commerce
      • 3.4.3.2. Surge in investments ininfrastructural development

CHAPTER 4: MUSIC EVENT MARKET, BY REVENUE SOURCE

  • 4.1. Overview
    • 4.1.1. Market size and forecast
  • 4.2. Tickets
    • 4.2.1. Key market trends, growth factors and opportunities
    • 4.2.2. Market size and forecast, by region
    • 4.2.3. Market share analysis by country
  • 4.3. Sponsorship
    • 4.3.1. Key market trends, growth factors and opportunities
    • 4.3.2. Market size and forecast, by region
    • 4.3.3. Market share analysis by country
  • 4.4. Others
    • 4.4.1. Key market trends, growth factors and opportunities
    • 4.4.2. Market size and forecast, by region
    • 4.4.3. Market share analysis by country

CHAPTER 5: MUSIC EVENT MARKET, BY GENRE

  • 5.1. Overview
    • 5.1.1. Market size and forecast
  • 5.2. Rock
    • 5.2.1. Key market trends, growth factors and opportunities
    • 5.2.2. Market size and forecast, by region
    • 5.2.3. Market share analysis by country
  • 5.3. Pop
    • 5.3.1. Key market trends, growth factors and opportunities
    • 5.3.2. Market size and forecast, by region
    • 5.3.3. Market share analysis by country
  • 5.4. EDM
    • 5.4.1. Key market trends, growth factors and opportunities
    • 5.4.2. Market size and forecast, by region
    • 5.4.3. Market share analysis by country
  • 5.5. Others
    • 5.5.1. Key market trends, growth factors and opportunities
    • 5.5.2. Market size and forecast, by region
    • 5.5.3. Market share analysis by country

CHAPTER 6: MUSIC EVENT MARKET, BY TYPE

  • 6.1. Overview
    • 6.1.1. Market size and forecast
  • 6.2. Music Festivals
    • 6.2.1. Key market trends, growth factors and opportunities
    • 6.2.2. Market size and forecast, by region
    • 6.2.3. Market share analysis by country
  • 6.3. Music Concerts
    • 6.3.1. Key market trends, growth factors and opportunities
    • 6.3.2. Market size and forecast, by region
    • 6.3.3. Market share analysis by country
  • 6.4. Music Shows
    • 6.4.1. Key market trends, growth factors and opportunities
    • 6.4.2. Market size and forecast, by region
    • 6.4.3. Market share analysis by country
  • 6.5. Others
    • 6.5.1. Key market trends, growth factors and opportunities
    • 6.5.2. Market size and forecast, by region
    • 6.5.3. Market share analysis by country

CHAPTER 7: MUSIC EVENT MARKET, BY AGE GROUP

  • 7.1. Overview
    • 7.1.1. Market size and forecast
  • 7.2. Below 20 Years
    • 7.2.1. Key market trends, growth factors and opportunities
    • 7.2.2. Market size and forecast, by region
    • 7.2.3. Market share analysis by country
  • 7.3. 21 to 40 Years
    • 7.3.1. Key market trends, growth factors and opportunities
    • 7.3.2. Market size and forecast, by region
    • 7.3.3. Market share analysis by country
  • 7.4. Above 40 Years
    • 7.4.1. Key market trends, growth factors and opportunities
    • 7.4.2. Market size and forecast, by region
    • 7.4.3. Market share analysis by country

CHAPTER 8: MUSIC EVENT MARKET, BY GENDER

  • 8.1. Overview
    • 8.1.1. Market size and forecast
  • 8.2. Male
    • 8.2.1. Key market trends, growth factors and opportunities
    • 8.2.2. Market size and forecast, by region
    • 8.2.3. Market share analysis by country
  • 8.3. Female
    • 8.3.1. Key market trends, growth factors and opportunities
    • 8.3.2. Market size and forecast, by region
    • 8.3.3. Market share analysis by country

CHAPTER 9: MUSIC EVENT MARKET, BY REGION

  • 9.1. Overview
    • 9.1.1. Market size and forecast By Region
  • 9.2. North America
    • 9.2.1. Key market trends, growth factors and opportunities
    • 9.2.2. Market size and forecast, by Revenue Source
    • 9.2.3. Market size and forecast, by Genre
    • 9.2.4. Market size and forecast, by Type
    • 9.2.5. Market size and forecast, by Age Group
    • 9.2.6. Market size and forecast, by Gender
    • 9.2.7. Market size and forecast, by country
      • 9.2.7.1. U.S.
      • 9.2.7.1.1. Market size and forecast, by Revenue Source
      • 9.2.7.1.2. Market size and forecast, by Genre
      • 9.2.7.1.3. Market size and forecast, by Type
      • 9.2.7.1.4. Market size and forecast, by Age Group
      • 9.2.7.1.5. Market size and forecast, by Gender
      • 9.2.7.2. Canada
      • 9.2.7.2.1. Market size and forecast, by Revenue Source
      • 9.2.7.2.2. Market size and forecast, by Genre
      • 9.2.7.2.3. Market size and forecast, by Type
      • 9.2.7.2.4. Market size and forecast, by Age Group
      • 9.2.7.2.5. Market size and forecast, by Gender
      • 9.2.7.3. Mexico
      • 9.2.7.3.1. Market size and forecast, by Revenue Source
      • 9.2.7.3.2. Market size and forecast, by Genre
      • 9.2.7.3.3. Market size and forecast, by Type
      • 9.2.7.3.4. Market size and forecast, by Age Group
      • 9.2.7.3.5. Market size and forecast, by Gender
  • 9.3. Europe
    • 9.3.1. Key market trends, growth factors and opportunities
    • 9.3.2. Market size and forecast, by Revenue Source
    • 9.3.3. Market size and forecast, by Genre
    • 9.3.4. Market size and forecast, by Type
    • 9.3.5. Market size and forecast, by Age Group
    • 9.3.6. Market size and forecast, by Gender
    • 9.3.7. Market size and forecast, by country
      • 9.3.7.1. Germany
      • 9.3.7.1.1. Market size and forecast, by Revenue Source
      • 9.3.7.1.2. Market size and forecast, by Genre
      • 9.3.7.1.3. Market size and forecast, by Type
      • 9.3.7.1.4. Market size and forecast, by Age Group
      • 9.3.7.1.5. Market size and forecast, by Gender
      • 9.3.7.2. France
      • 9.3.7.2.1. Market size and forecast, by Revenue Source
      • 9.3.7.2.2. Market size and forecast, by Genre
      • 9.3.7.2.3. Market size and forecast, by Type
      • 9.3.7.2.4. Market size and forecast, by Age Group
      • 9.3.7.2.5. Market size and forecast, by Gender
      • 9.3.7.3. UK
      • 9.3.7.3.1. Market size and forecast, by Revenue Source
      • 9.3.7.3.2. Market size and forecast, by Genre
      • 9.3.7.3.3. Market size and forecast, by Type
      • 9.3.7.3.4. Market size and forecast, by Age Group
      • 9.3.7.3.5. Market size and forecast, by Gender
      • 9.3.7.4. Italy
      • 9.3.7.4.1. Market size and forecast, by Revenue Source
      • 9.3.7.4.2. Market size and forecast, by Genre
      • 9.3.7.4.3. Market size and forecast, by Type
      • 9.3.7.4.4. Market size and forecast, by Age Group
      • 9.3.7.4.5. Market size and forecast, by Gender
      • 9.3.7.5. Spain
      • 9.3.7.5.1. Market size and forecast, by Revenue Source
      • 9.3.7.5.2. Market size and forecast, by Genre
      • 9.3.7.5.3. Market size and forecast, by Type
      • 9.3.7.5.4. Market size and forecast, by Age Group
      • 9.3.7.5.5. Market size and forecast, by Gender
      • 9.3.7.6. Netherlands
      • 9.3.7.6.1. Market size and forecast, by Revenue Source
      • 9.3.7.6.2. Market size and forecast, by Genre
      • 9.3.7.6.3. Market size and forecast, by Type
      • 9.3.7.6.4. Market size and forecast, by Age Group
      • 9.3.7.6.5. Market size and forecast, by Gender
      • 9.3.7.7. Rest of Europe
      • 9.3.7.7.1. Market size and forecast, by Revenue Source
      • 9.3.7.7.2. Market size and forecast, by Genre
      • 9.3.7.7.3. Market size and forecast, by Type
      • 9.3.7.7.4. Market size and forecast, by Age Group
      • 9.3.7.7.5. Market size and forecast, by Gender
  • 9.4. Asia-Pacific
    • 9.4.1. Key market trends, growth factors and opportunities
    • 9.4.2. Market size and forecast, by Revenue Source
    • 9.4.3. Market size and forecast, by Genre
    • 9.4.4. Market size and forecast, by Type
    • 9.4.5. Market size and forecast, by Age Group
    • 9.4.6. Market size and forecast, by Gender
    • 9.4.7. Market size and forecast, by country
      • 9.4.7.1. China
      • 9.4.7.1.1. Market size and forecast, by Revenue Source
      • 9.4.7.1.2. Market size and forecast, by Genre
      • 9.4.7.1.3. Market size and forecast, by Type
      • 9.4.7.1.4. Market size and forecast, by Age Group
      • 9.4.7.1.5. Market size and forecast, by Gender
      • 9.4.7.2. Japan
      • 9.4.7.2.1. Market size and forecast, by Revenue Source
      • 9.4.7.2.2. Market size and forecast, by Genre
      • 9.4.7.2.3. Market size and forecast, by Type
      • 9.4.7.2.4. Market size and forecast, by Age Group
      • 9.4.7.2.5. Market size and forecast, by Gender
      • 9.4.7.3. India
      • 9.4.7.3.1. Market size and forecast, by Revenue Source
      • 9.4.7.3.2. Market size and forecast, by Genre
      • 9.4.7.3.3. Market size and forecast, by Type
      • 9.4.7.3.4. Market size and forecast, by Age Group
      • 9.4.7.3.5. Market size and forecast, by Gender
      • 9.4.7.4. South Korea
      • 9.4.7.4.1. Market size and forecast, by Revenue Source
      • 9.4.7.4.2. Market size and forecast, by Genre
      • 9.4.7.4.3. Market size and forecast, by Type
      • 9.4.7.4.4. Market size and forecast, by Age Group
      • 9.4.7.4.5. Market size and forecast, by Gender
      • 9.4.7.5. Australia
      • 9.4.7.5.1. Market size and forecast, by Revenue Source
      • 9.4.7.5.2. Market size and forecast, by Genre
      • 9.4.7.5.3. Market size and forecast, by Type
      • 9.4.7.5.4. Market size and forecast, by Age Group
      • 9.4.7.5.5. Market size and forecast, by Gender
      • 9.4.7.6. Singapore
      • 9.4.7.6.1. Market size and forecast, by Revenue Source
      • 9.4.7.6.2. Market size and forecast, by Genre
      • 9.4.7.6.3. Market size and forecast, by Type
      • 9.4.7.6.4. Market size and forecast, by Age Group
      • 9.4.7.6.5. Market size and forecast, by Gender
      • 9.4.7.7. Rest of Asia-Pacific
      • 9.4.7.7.1. Market size and forecast, by Revenue Source
      • 9.4.7.7.2. Market size and forecast, by Genre
      • 9.4.7.7.3. Market size and forecast, by Type
      • 9.4.7.7.4. Market size and forecast, by Age Group
      • 9.4.7.7.5. Market size and forecast, by Gender
  • 9.5. LAMEA
    • 9.5.1. Key market trends, growth factors and opportunities
    • 9.5.2. Market size and forecast, by Revenue Source
    • 9.5.3. Market size and forecast, by Genre
    • 9.5.4. Market size and forecast, by Type
    • 9.5.5. Market size and forecast, by Age Group
    • 9.5.6. Market size and forecast, by Gender
    • 9.5.7. Market size and forecast, by country
      • 9.5.7.1. Brazil
      • 9.5.7.1.1. Market size and forecast, by Revenue Source
      • 9.5.7.1.2. Market size and forecast, by Genre
      • 9.5.7.1.3. Market size and forecast, by Type
      • 9.5.7.1.4. Market size and forecast, by Age Group
      • 9.5.7.1.5. Market size and forecast, by Gender
      • 9.5.7.2. South Africa
      • 9.5.7.2.1. Market size and forecast, by Revenue Source
      • 9.5.7.2.2. Market size and forecast, by Genre
      • 9.5.7.2.3. Market size and forecast, by Type
      • 9.5.7.2.4. Market size and forecast, by Age Group
      • 9.5.7.2.5. Market size and forecast, by Gender
      • 9.5.7.3. Saudi Arabia
      • 9.5.7.3.1. Market size and forecast, by Revenue Source
      • 9.5.7.3.2. Market size and forecast, by Genre
      • 9.5.7.3.3. Market size and forecast, by Type
      • 9.5.7.3.4. Market size and forecast, by Age Group
      • 9.5.7.3.5. Market size and forecast, by Gender
      • 9.5.7.4. UAE
      • 9.5.7.4.1. Market size and forecast, by Revenue Source
      • 9.5.7.4.2. Market size and forecast, by Genre
      • 9.5.7.4.3. Market size and forecast, by Type
      • 9.5.7.4.4. Market size and forecast, by Age Group
      • 9.5.7.4.5. Market size and forecast, by Gender
      • 9.5.7.5. Argentina
      • 9.5.7.5.1. Market size and forecast, by Revenue Source
      • 9.5.7.5.2. Market size and forecast, by Genre
      • 9.5.7.5.3. Market size and forecast, by Type
      • 9.5.7.5.4. Market size and forecast, by Age Group
      • 9.5.7.5.5. Market size and forecast, by Gender
      • 9.5.7.6. Rest of LAMEA
      • 9.5.7.6.1. Market size and forecast, by Revenue Source
      • 9.5.7.6.2. Market size and forecast, by Genre
      • 9.5.7.6.3. Market size and forecast, by Type
      • 9.5.7.6.4. Market size and forecast, by Age Group
      • 9.5.7.6.5. Market size and forecast, by Gender

CHAPTER 10: COMPETITIVE LANDSCAPE

  • 10.1. Introduction
  • 10.2. Top winning strategies
  • 10.3. Product mapping of top 10 player
  • 10.4. Competitive dashboard
  • 10.5. Competitive heatmap
  • 10.6. Top player positioning, 2023

CHAPTER 11: COMPANY PROFILES

  • 11.1. ACCESS DESTINATION SERVICES
    • 11.1.1. Company overview
    • 11.1.2. Key executives
    • 11.1.3. Company snapshot
    • 11.1.4. Operating business segments
    • 11.1.5. Product portfolio
    • 11.1.6. Key strategic moves and developments
  • 11.2. Anschutz Entertainment Group
    • 11.2.1. Company overview
    • 11.2.2. Key executives
    • 11.2.3. Company snapshot
    • 11.2.4. Operating business segments
    • 11.2.5. Product portfolio
  • 11.3. Basset Events, Inc.
    • 11.3.1. Company overview
    • 11.3.2. Key executives
    • 11.3.3. Company snapshot
    • 11.3.4. Operating business segments
    • 11.3.5. Product portfolio
  • 11.4. BCD GROUP
    • 11.4.1. Company overview
    • 11.4.2. Key executives
    • 11.4.3. Company snapshot
    • 11.4.4. Operating business segments
    • 11.4.5. Product portfolio
  • 11.5. Carlson, Inc.
    • 11.5.1. Company overview
    • 11.5.2. Key executives
    • 11.5.3. Company snapshot
    • 11.5.4. Operating business segments
    • 11.5.5. Product portfolio
  • 11.6. Colin Cowie Lifestyle
    • 11.6.1. Company overview
    • 11.6.2. Key executives
    • 11.6.3. Company snapshot
    • 11.6.4. Operating business segments
    • 11.6.5. Product portfolio
  • 11.7. Eventbrite, Inc.
    • 11.7.1. Company overview
    • 11.7.2. Key executives
    • 11.7.3. Company snapshot
    • 11.7.4. Operating business segments
    • 11.7.5. Product portfolio
    • 11.7.6. Business performance
    • 11.7.7. Key strategic moves and developments
  • 11.8. Insomniac Holdings. LLC.
    • 11.8.1. Company overview
    • 11.8.2. Key executives
    • 11.8.3. Company snapshot
    • 11.8.4. Operating business segments
    • 11.8.5. Product portfolio
    • 11.8.6. Key strategic moves and developments
  • 11.9. Live Nation
    • 11.9.1. Company overview
    • 11.9.2. Key executives
    • 11.9.3. Company snapshot
    • 11.9.4. Operating business segments
    • 11.9.5. Product portfolio
    • 11.9.6. Business performance
    • 11.9.7. Key strategic moves and developments
  • 11.10. Outback Presents, LLC.
    • 11.10.1. Company overview
    • 11.10.2. Key executives
    • 11.10.3. Company snapshot
    • 11.10.4. Operating business segments
    • 11.10.5. Product portfolio
  • 11.11. Rafanelli Events, Inc.
    • 11.11.1. Company overview
    • 11.11.2. Key executives
    • 11.11.3. Company snapshot
    • 11.11.4. Operating business segments
    • 11.11.5. Product portfolio