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1344410

K-POPイベント市場：タイプ別、収益源別、男女別：世界機会分析と産業予測、2022-2031年

K-pop Events Market By Type (Rock, Jazz, Pop, Others), By Revenue Source (Tickets, Sponserships, Others), By Gender (Male, Female): Global Opportunity Analysis and Industry Forecast, 2022-2031
出版日: | 発行: Allied Market Research | ページ情報: 英文 419 Pages | 納期: 2～3営業日

価格
価格表記: USDを日本円(税抜)に換算
本日の銀行送金レート: 1USD=156.76円
K-POPイベント市場：タイプ別、収益源別、男女別：世界機会分析と産業予測、2022-2031年
出版日: 2023年05月30日
発行: Allied Market Research
ページ情報: 英文 419 Pages
納期: 2～3営業日
  • 全表示
  • 概要
  • 図表
  • 目次
概要

K-POPイベント市場は2021年に81億米ドルと評価され、2022年から2031年にかけてCAGR 7.3%で成長し、2031年には200億米ドルに達すると推定されています。

K-pop Events Market-IMG1

歌や楽器の演奏など、韓国のポップミュージックをフィーチャーした特別イベントはすべて、"K-POPイベント"と呼ばれます。これらのイベントは通常、さまざまな音楽ジャンル、ミュージシャンの出身地、国籍をテーマにしています。音楽イベントの一般的な例としては、音楽公演、コンサート、音楽フェスティバルなどがあります。

インフラ開発と接続性に対する政府の投資拡大も、K-POPコンサート市場に大きな影響を与えると予想されます。中東・アフリカ、アジア太平洋の新興国の政府は、道路、鉄道、その他の接続形態の建設に投資を行っています。また、5G技術が普及すれば、音楽イベントのチケット購入、食事の注文、ホテルの予約にデジタル・プラットフォームを利用する人が増えると思われます。

こうした動きは、音楽観光を大きく後押しし、K-POPイベント産業全体の発展を促進すると思われます。ミュージック・ツーリズムは、アジア太平洋などの新興市場における今後の動向です。しかし、オンライン・プラットフォームやオンライン・チケット・ベンダーの利用に伴うプライバシーやデータ・セキュリティへの懸念が大きな課題となっています。

K-POPイベントの開催には、現地経費、会場費、イベントレンタル費、制作費など複数の経費がかかります。会場費には、イベント会場から請求される料金や費用が含まれ、より多くの費用が発生します。また、会場費には保証金、部屋のレンタル料、保険料、駐車場代などが含まれます。K-POPイベントの開催に関わるもう一つの主要なコストは、イベントの開催、運営要素の管理、参加者の集客に関わる費用を含む制作費です。このように、音楽イベントの開催に関わる運営コストの高さは、世界のK-POPイベント市場の成長を妨げる重要な要因となっています。

目次

第1章 イントロダクション

第2章 エグゼクティブサマリー

第3章 市場概要

  • 市場の定義と範囲
  • 主な調査結果
    • 影響要因
    • 主な投資機会
  • ポーターのファイブフォース分析
  • 市場力学
    • 促進要因
      • ライブ音楽に対する消費者の関心の高まり
      • 音楽観光の人気の高まり
    • 抑制要因
      • データ保護に関する政府の方針
      • 高い運用コスト
    • 機会
      • Mコマースの成長
      • インフラ整備の進展
  • COVID-19市場への影響分析
  • 市場シェア分析

第4章 K-POPイベント市場：タイプ別

  • 概要
  • ロック
  • ジャズ
  • ポップ
  • その他

第5章 K-POPイベント市場：収益源別

  • 概要
  • チケット
  • スポンサーシップ
  • その他

第6章 K-POPイベント市場：男女別

  • 概要
  • 男性
  • 女性

第7章 K-POPイベント市場：地域別

  • 概要
  • 北米
    • 米国
    • カナダ
    • メキシコ
  • 欧州
    • ドイツ
    • フランス
    • 英国
    • イタリア
    • スペイン
    • オランダ
    • その他欧州
  • アジア太平洋地域
    • 日本
    • 中国
    • 韓国
    • インド
    • オーストラリア
    • その他アジア太平洋地域
  • ラテンアメリカ・中東・アフリカ
    • ブラジル
    • アルゼンチン
    • 南アフリカ
    • その他の地域

第8章 競合情勢

  • イントロダクション
  • 主要成功戦略
  • 主要10企業の製品マッピング
  • 競合ダッシュボード
  • 競合ヒートマップ
  • 主要企業のポジショニング

第9章 企業プロファイル

  • Filmmaster Group
  • Eventbrite, Inc.
  • Live Company Group plc.
  • SubKulture Entertainment
  • SM Entertainment Group
  • JYP Entertainment Co. Ltd
  • YG Entertainment Inc.
  • HYBE Co., Ltd.
  • PK-UK Events Limited
  • CJ Co., Ltd.
図表

LIST OF TABLES

  • TABLE 01. GLOBAL K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
  • TABLE 02. K-POP EVENTS MARKET FOR ROCK, BY REGION, 2021-2031 ($MILLION)
  • TABLE 03. K-POP EVENTS MARKET FOR JAZZ, BY REGION, 2021-2031 ($MILLION)
  • TABLE 04. K-POP EVENTS MARKET FOR POP, BY REGION, 2021-2031 ($MILLION)
  • TABLE 05. K-POP EVENTS MARKET FOR OTHERS, BY REGION, 2021-2031 ($MILLION)
  • TABLE 06. GLOBAL K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
  • TABLE 07. K-POP EVENTS MARKET FOR TICKETS, BY REGION, 2021-2031 ($MILLION)
  • TABLE 08. GLOBAL TICKETS K-POP EVENTS MARKET, BY SUB-TYPE, 2021-2031 ($MILLION)
  • TABLE 09. K-POP EVENTS MARKET FOR ONLINE, BY REGION, 2021-2031 ($MILLION)
  • TABLE 10. K-POP EVENTS MARKET FOR OFFLINE, BY REGION, 2021-2031 ($MILLION)
  • TABLE 11. K-POP EVENTS MARKET FOR SPONSERSHIPS, BY REGION, 2021-2031 ($MILLION)
  • TABLE 12. K-POP EVENTS MARKET FOR OTHERS, BY REGION, 2021-2031 ($MILLION)
  • TABLE 13. GLOBAL K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
  • TABLE 14. K-POP EVENTS MARKET FOR MALE, BY REGION, 2021-2031 ($MILLION)
  • TABLE 15. K-POP EVENTS MARKET FOR FEMALE, BY REGION, 2021-2031 ($MILLION)
  • TABLE 16. K-POP EVENTS MARKET, BY REGION, 2021-2031 ($MILLION)
  • TABLE 17. NORTH AMERICA K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
  • TABLE 18. NORTH AMERICA K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
  • TABLE 19. NORTH AMERICA TICKETS K-POP EVENTS MARKET, BY SUB-TYPE, 2021-2031 ($MILLION)
  • TABLE 20. NORTH AMERICA K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
  • TABLE 21. NORTH AMERICA K-POP EVENTS MARKET, BY COUNTRY, 2021-2031 ($MILLION)
  • TABLE 22. U.S. K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
  • TABLE 23. U.S. K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
  • TABLE 24. U.S. K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
  • TABLE 25. CANADA K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
  • TABLE 26. CANADA K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
  • TABLE 27. CANADA K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
  • TABLE 28. MEXICO K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
  • TABLE 29. MEXICO K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
  • TABLE 30. MEXICO K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
  • TABLE 31. EUROPE K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
  • TABLE 32. EUROPE K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
  • TABLE 33. EUROPE TICKETS K-POP EVENTS MARKET, BY SUB-TYPE, 2021-2031 ($MILLION)
  • TABLE 34. EUROPE K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
  • TABLE 35. EUROPE K-POP EVENTS MARKET, BY COUNTRY, 2021-2031 ($MILLION)
  • TABLE 36. GERMANY K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
  • TABLE 37. GERMANY K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
  • TABLE 38. GERMANY K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
  • TABLE 39. FRANCE K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
  • TABLE 40. FRANCE K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
  • TABLE 41. FRANCE K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
  • TABLE 42. UK K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
  • TABLE 43. UK K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
  • TABLE 44. UK K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
  • TABLE 45. ITALY K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
  • TABLE 46. ITALY K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
  • TABLE 47. ITALY K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
  • TABLE 48. SPAIN K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
  • TABLE 49. SPAIN K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
  • TABLE 50. SPAIN K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
  • TABLE 51. NETHERLANDS K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
  • TABLE 52. NETHERLANDS K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
  • TABLE 53. NETHERLANDS K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
  • TABLE 54. REST OF EUROPE K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
  • TABLE 55. REST OF EUROPE K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
  • TABLE 56. REST OF EUROPE K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
  • TABLE 57. ASIA-PACIFIC K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
  • TABLE 58. ASIA-PACIFIC K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
  • TABLE 59. ASIA-PACIFIC TICKETS K-POP EVENTS MARKET, BY SUB-TYPE, 2021-2031 ($MILLION)
  • TABLE 60. ASIA-PACIFIC K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
  • TABLE 61. ASIA-PACIFIC K-POP EVENTS MARKET, BY COUNTRY, 2021-2031 ($MILLION)
  • TABLE 62. JAPAN K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
  • TABLE 63. JAPAN K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
  • TABLE 64. JAPAN K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
  • TABLE 65. CHINA K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
  • TABLE 66. CHINA K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
  • TABLE 67. CHINA K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
  • TABLE 68. SOUTH KOREA K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
  • TABLE 69. SOUTH KOREA K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
  • TABLE 70. SOUTH KOREA K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
  • TABLE 71. INDIA K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
  • TABLE 72. INDIA K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
  • TABLE 73. INDIA K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
  • TABLE 74. AUSTRALIA K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
  • TABLE 75. AUSTRALIA K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
  • TABLE 76. AUSTRALIA K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
  • TABLE 77. REST OF ASIA-PACIFIC K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
  • TABLE 78. REST OF ASIA-PACIFIC K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
  • TABLE 79. REST OF ASIA-PACIFIC K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
  • TABLE 80. LAMEA K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
  • TABLE 81. LAMEA K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
  • TABLE 82. LAMEA TICKETS K-POP EVENTS MARKET, BY SUB-TYPE, 2021-2031 ($MILLION)
  • TABLE 83. LAMEA K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
  • TABLE 84. LAMEA K-POP EVENTS MARKET, BY COUNTRY, 2021-2031 ($MILLION)
  • TABLE 85. BRAZIL K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
  • TABLE 86. BRAZIL K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
  • TABLE 87. BRAZIL K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
  • TABLE 88. ARGENTINA K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
  • TABLE 89. ARGENTINA K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
  • TABLE 90. ARGENTINA K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
  • TABLE 91. SOUTH AFRICA K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
  • TABLE 92. SOUTH AFRICA K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
  • TABLE 93. SOUTH AFRICA K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
  • TABLE 94. REST OF LAMEA K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
  • TABLE 95. REST OF LAMEA K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
  • TABLE 96. REST OF LAMEA K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
  • TABLE 97. FILMMASTER GROUP: KEY EXECUTIVES
  • TABLE 98. FILMMASTER GROUP: COMPANY SNAPSHOT
  • TABLE 99. FILMMASTER GROUP: SERVICE SEGMENTS
  • TABLE 100. FILMMASTER GROUP: PRODUCT PORTFOLIO
  • TABLE 101. EVENTBRITE, INC.: KEY EXECUTIVES
  • TABLE 102. EVENTBRITE, INC.: COMPANY SNAPSHOT
  • TABLE 103. EVENTBRITE, INC.: SERVICE SEGMENTS
  • TABLE 104. EVENTBRITE, INC.: PRODUCT PORTFOLIO
  • TABLE 105. EVENTBRITE, INC.: KEY STRATERGIES
  • TABLE 106. LIVE COMPANY GROUP PLC.: KEY EXECUTIVES
  • TABLE 107. LIVE COMPANY GROUP PLC.: COMPANY SNAPSHOT
  • TABLE 108. LIVE COMPANY GROUP PLC.: SERVICE SEGMENTS
  • TABLE 109. LIVE COMPANY GROUP PLC.: PRODUCT PORTFOLIO
  • TABLE 110. SUBKULTURE ENTERTAINMENT: KEY EXECUTIVES
  • TABLE 111. SUBKULTURE ENTERTAINMENT: COMPANY SNAPSHOT
  • TABLE 112. SUBKULTURE ENTERTAINMENT: SERVICE SEGMENTS
  • TABLE 113. SUBKULTURE ENTERTAINMENT: PRODUCT PORTFOLIO
  • TABLE 114. SM ENTERTAINMENT GROUP: KEY EXECUTIVES
  • TABLE 115. SM ENTERTAINMENT GROUP: COMPANY SNAPSHOT
  • TABLE 116. SM ENTERTAINMENT GROUP: SERVICE SEGMENTS
  • TABLE 117. SM ENTERTAINMENT GROUP: PRODUCT PORTFOLIO
  • TABLE 118. SM ENTERTAINMENT GROUP: KEY STRATERGIES
  • TABLE 119. JYP ENTERTAINMENT CO. LTD: KEY EXECUTIVES
  • TABLE 120. JYP ENTERTAINMENT CO. LTD: COMPANY SNAPSHOT
  • TABLE 121. JYP ENTERTAINMENT CO. LTD: SERVICE SEGMENTS
  • TABLE 122. JYP ENTERTAINMENT CO. LTD: PRODUCT PORTFOLIO
  • TABLE 123. JYP ENTERTAINMENT CO. LTD: KEY STRATERGIES
  • TABLE 124. YG ENTERTAINMENT INC.: KEY EXECUTIVES
  • TABLE 125. YG ENTERTAINMENT INC.: COMPANY SNAPSHOT
  • TABLE 126. YG ENTERTAINMENT INC.: SERVICE SEGMENTS
  • TABLE 127. YG ENTERTAINMENT INC.: PRODUCT PORTFOLIO
  • TABLE 128. YG ENTERTAINMENT INC.: KEY STRATERGIES
  • TABLE 129. HYBE CO., LTD.: KEY EXECUTIVES
  • TABLE 130. HYBE CO., LTD.: COMPANY SNAPSHOT
  • TABLE 131. HYBE CO., LTD.: SERVICE SEGMENTS
  • TABLE 132. HYBE CO., LTD.: PRODUCT PORTFOLIO
  • TABLE 133. HYBE CO., LTD.: KEY STRATERGIES
  • TABLE 134. PK-UK EVENTS LIMITED: KEY EXECUTIVES
  • TABLE 135. PK-UK EVENTS LIMITED: COMPANY SNAPSHOT
  • TABLE 136. PK-UK EVENTS LIMITED: SERVICE SEGMENTS
  • TABLE 137. PK-UK EVENTS LIMITED: PRODUCT PORTFOLIO
  • TABLE 138. CJ CO., LTD.: KEY EXECUTIVES
  • TABLE 139. CJ CO., LTD.: COMPANY SNAPSHOT
  • TABLE 140. CJ CO., LTD.: PRODUCT SEGMENTS
  • TABLE 141. CJ CO., LTD.: SERVICE SEGMENTS
  • TABLE 142. CJ CO., LTD.: PRODUCT PORTFOLIO
  • TABLE 143. CJ CO., LTD.: KEY STRATERGIES

LIST OF FIGURES

  • FIGURE 01. K-POP EVENTS MARKET, 2021-2031
  • FIGURE 02. SEGMENTATION OF K-POP EVENTS MARKET, 2021-2031
  • FIGURE 03. TOP INVESTMENT POCKETS IN K-POP EVENTS MARKET (2022-2031)
  • FIGURE 04. LOW BARGAINING POWER OF SUPPLIERS
  • FIGURE 05. LOW THREAT OF NEW ENTRANTS
  • FIGURE 06. LOW THREAT OF SUBSTITUTES
  • FIGURE 07. LOW INTENSITY OF RIVALRY
  • FIGURE 08. LOW BARGAINING POWER OF BUYERS
  • FIGURE 09. DRIVERS, RESTRAINTS AND OPPORTUNITIES: GLOBALK-POP EVENTS MARKET
  • FIGURE 09. K-POP EVENTS MARKET, BY TYPE, 2021(%)
  • FIGURE 10. COMPARATIVE SHARE ANALYSIS OF K-POP EVENTS MARKET FOR ROCK, BY COUNTRY 2021 AND 2031(%)
  • FIGURE 11. COMPARATIVE SHARE ANALYSIS OF K-POP EVENTS MARKET FOR JAZZ, BY COUNTRY 2021 AND 2031(%)
  • FIGURE 12. COMPARATIVE SHARE ANALYSIS OF K-POP EVENTS MARKET FOR POP, BY COUNTRY 2021 AND 2031(%)
  • FIGURE 13. COMPARATIVE SHARE ANALYSIS OF K-POP EVENTS MARKET FOR OTHERS, BY COUNTRY 2021 AND 2031(%)
  • FIGURE 14. K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021(%)
  • FIGURE 15. COMPARATIVE SHARE ANALYSIS OF K-POP EVENTS MARKET FOR TICKETS, BY COUNTRY 2021 AND 2031(%)
  • FIGURE 16. COMPARATIVE SHARE ANALYSIS OF K-POP EVENTS MARKET FOR SPONSERSHIPS, BY COUNTRY 2021 AND 2031(%)
  • FIGURE 17. COMPARATIVE SHARE ANALYSIS OF K-POP EVENTS MARKET FOR OTHERS, BY COUNTRY 2021 AND 2031(%)
  • FIGURE 18. K-POP EVENTS MARKET, BY GENDER, 2021(%)
  • FIGURE 19. COMPARATIVE SHARE ANALYSIS OF K-POP EVENTS MARKET FOR MALE, BY COUNTRY 2021 AND 2031(%)
  • FIGURE 20. COMPARATIVE SHARE ANALYSIS OF K-POP EVENTS MARKET FOR FEMALE, BY COUNTRY 2021 AND 2031(%)
  • FIGURE 21. K-POP EVENTS MARKET BY REGION, 2021
  • FIGURE 22. U.S. K-POP EVENTS MARKET, 2021-2031 ($MILLION)
  • FIGURE 23. CANADA K-POP EVENTS MARKET, 2021-2031 ($MILLION)
  • FIGURE 24. MEXICO K-POP EVENTS MARKET, 2021-2031 ($MILLION)
  • FIGURE 25. GERMANY K-POP EVENTS MARKET, 2021-2031 ($MILLION)
  • FIGURE 26. FRANCE K-POP EVENTS MARKET, 2021-2031 ($MILLION)
  • FIGURE 27. UK K-POP EVENTS MARKET, 2021-2031 ($MILLION)
  • FIGURE 28. ITALY K-POP EVENTS MARKET, 2021-2031 ($MILLION)
  • FIGURE 29. SPAIN K-POP EVENTS MARKET, 2021-2031 ($MILLION)
  • FIGURE 30. NETHERLANDS K-POP EVENTS MARKET, 2021-2031 ($MILLION)
  • FIGURE 31. REST OF EUROPE K-POP EVENTS MARKET, 2021-2031 ($MILLION)
  • FIGURE 32. JAPAN K-POP EVENTS MARKET, 2021-2031 ($MILLION)
  • FIGURE 33. CHINA K-POP EVENTS MARKET, 2021-2031 ($MILLION)
  • FIGURE 34. SOUTH KOREA K-POP EVENTS MARKET, 2021-2031 ($MILLION)
  • FIGURE 35. INDIA K-POP EVENTS MARKET, 2021-2031 ($MILLION)
  • FIGURE 36. AUSTRALIA K-POP EVENTS MARKET, 2021-2031 ($MILLION)
  • FIGURE 37. REST OF ASIA-PACIFIC K-POP EVENTS MARKET, 2021-2031 ($MILLION)
  • FIGURE 38. BRAZIL K-POP EVENTS MARKET, 2021-2031 ($MILLION)
  • FIGURE 39. ARGENTINA K-POP EVENTS MARKET, 2021-2031 ($MILLION)
  • FIGURE 40. SOUTH AFRICA K-POP EVENTS MARKET, 2021-2031 ($MILLION)
  • FIGURE 41. REST OF LAMEA K-POP EVENTS MARKET, 2021-2031 ($MILLION)
  • FIGURE 42. TOP WINNING STRATEGIES, BY YEAR
  • FIGURE 43. TOP WINNING STRATEGIES, BY DEVELOPMENT
  • FIGURE 44. TOP WINNING STRATEGIES, BY COMPANY
  • FIGURE 45. PRODUCT MAPPING OF TOP 10 PLAYERS
  • FIGURE 46. COMPETITIVE DASHBOARD
  • FIGURE 47. COMPETITIVE HEATMAP: K-POP EVENTS MARKET
  • FIGURE 48. TOP PLAYER POSITIONING, 2021
  • FIGURE 49. EVENTBRITE, INC.: NET SALES, 2020-2022 ($MILLION)
  • FIGURE 50. EVENTBRITE, INC.: REVENUE SHARE BY REGION, 2022 (%)
  • FIGURE 51. LIVE COMPANY GROUP PLC.: NET SALES, 2019-2021 ($MILLION)
  • FIGURE 52. LIVE COMPANY GROUP PLC.: REVENUE SHARE BY SEGMENT, 2021 (%)
  • FIGURE 53. LIVE COMPANY GROUP PLC.: REVENUE SHARE BY REGION, 2021 (%)
  • FIGURE 54. SM ENTERTAINMENT GROUP: RESEARCH & DEVELOPMENT EXPENDITURE, 2019-2021 ($MILLION)
  • FIGURE 55. JYP ENTERTAINMENT CO. LTD: NET REVENUE, 2019-2021 ($MILLION)
  • FIGURE 56. YG ENTERTAINMENT INC.: NET REVENUE, 2021-2022 ($MILLION)
  • FIGURE 57. HYBE CO., LTD.: NET SALES, 2019-2021 ($MILLION)
  • FIGURE 58. CJ CO., LTD.: NET REVENUE, 2019-2021 ($MILLION)
  • FIGURE 59. CJ CO., LTD.: REVENUE SHARE BY SEGMENT, 2021 (%)
目次
Product Code: A47369

According to a new report published by Allied Market Research, titled, "K-pop Events Market," The k-pop events market was valued at $8.1 billion in 2021, and is estimated to reach $20 billion by 2031, growing at a CAGR of 7.3% from 2022 to 2031.

K-pop Events Market - IMG1

Any special event featuring Korean pop musical performances-including singing and playing instruments-is referred to as a "K-pop event." These events are typically themed around different musical genres, locations where the musicians are from, and nationalities. Popular examples of music events include music performances, concerts, and music festivals. The K-pop event market scope includes segmentation based on type, revenue source, gender, and region for analytical purposes.

The government's increased investments in infrastructure development and connectivity are also anticipated to have a significant impact on the market for K-pop concerts. The governments of the emerging nations in the Middle East, Africa, and Asia-Pacific are making investments in the construction of roads, trains, and other forms of connection. Also, when 5G technology becomes more widely used, more people will use digital platforms to purchase tickets, place food orders, and reserve hotel rooms at music events.

These developments will significantly boost music tourism and facilitate the overall development of the K-pop events industry. Music tourism is an upcoming trend in emerging markets such as Asia-Pacific. However, privacy and data security concerns associated with use of online platforms or online ticket vendors is a major challenge.

Organizing a K-pop event involves multiple expenses, which include on-site expenses, venue costs, event rentals, and production expenses. On-site expenditures involve fees and cost charged by the event venue, which incur more cost. In addition, venue cost includes security deposit, room rental, insurance coverage, and parking. Another major cost involved in organizing a K-pop event is the production cost, involving expense of organizing the event, management of administrative elements, and attracting attendees. Thus, high operational cost involved in organizing music events is a key factor that hampers the growth of the global K-pop event market.

The K-pop events market is segmented into type, revenue source, gender, and region. By type, the market is divided into rock, jazz, pop, and others. Depending on the gender, it is divided into male and female. By revenue source, the market is divided into tickets, sponsorships, and others. Region wise, it is analyzed across North America, Europe, Asia-Pacific, and LAMEA.

The report highlights numerous factors that influence the growth of the global music event market. This report further outlines the current trends and key areas of investment. In addition, it includes Porter's five forces analysis to understand the competitive scenario of the industry and role of each stakeholder. The report features the strategies adopted by key market players to maintain their foothold in the market. Furthermore, it highlights the competitive landscape of the key market players to increase their market share and sustain intense competition in the industry.

The key players analyzed in the report are Live Company Group plc., PK-UK Events Limited, SubKulture Entertainment, Filmmaster Group, CJ Co., Ltd., JYP Entertainment Co. Ltd, SM Entertainment Group, YG Entertainment Inc., Eventbrite, Inc., and HYBE Co., Ltd.

The government's increased investments in infrastructure development and connectivity are also anticipated to have a significant impact on the market for music events. The governments of the emerging nations in the Middle East, Africa, and Asia-Pacific are making investments in the construction of roads, trains, and other forms of connection.

KEY MARKET PLAYERS PROFILED IN THE REPORT

  • FILMMASTER GROUP
  • EVENTBRITE, INC.
  • LIVE COMPANY GROUP PLC.
  • SUBKULTURE ENTERTAINMENT
  • SM ENTERTAINMENT GROUP
  • JYP ENTERTAINMENT CO. LTD
  • YG ENTERTAINMENT INC.
  • HYBE CO., LTD.
  • PK-UK EVENTS LIMITED
  • CJ CO., LTD.

Key Benefits For Stakeholders

  • This report provides a quantitative analysis of the market segments, current trends, estimations, and dynamics of the k-pop events market analysis from 2021 to 2031 to identify the prevailing k-pop events market opportunities.
  • The market research is offered along with information related to key drivers, restraints, and opportunities.
  • Porter's five forces analysis highlights the potency of buyers and suppliers to enable stakeholders make profit-oriented business decisions and strengthen their supplier-buyer network.
  • In-depth analysis of the k-pop events market segmentation assists to determine the prevailing market opportunities.
  • Major countries in each region are mapped according to their revenue contribution to the global market.
  • Market player positioning facilitates benchmarking and provides a clear understanding of the present position of the market players.
  • The report includes the analysis of the regional as well as global k-pop events market trends, key players, market segments, application areas, and market growth strategies.

Key Market Segments

By Type

  • Rock
  • Jazz
  • Pop
  • Others

By Revenue Source

  • Tickets
    • Sub-type
    • Online
    • Offline
  • Sponserships
  • Others

By Gender

  • Male
  • Female

By Region

  • North America
    • U.S.
    • Canada
    • Mexico
  • Europe
    • Germany
    • France
    • UK
    • Italy
    • Spain
    • Netherlands
    • Rest of Europe
  • Asia-Pacific
    • Japan
    • China
    • South Korea
    • India
    • Australia
    • Rest of Asia-Pacific
  • LAMEA
    • Brazil
    • Argentina
    • South Africa
    • Rest of LAMEA

Key Market Players:

    • CJ Co., Ltd.
    • Eventbrite, Inc.
    • Filmmaster Group
    • HYBE Co., Ltd.
    • JYP Entertainment Co. Ltd
    • Live Company Group plc.
    • PK-UK Events Limited
    • SM Entertainment Group
    • SubKulture Entertainment
    • YG Entertainment Inc.

TABLE OF CONTENTS

CHAPTER 1: INTRODUCTION

  • 1.1. Report description
  • 1.2. Key market segments
  • 1.3. Key benefits to the stakeholders
  • 1.4. Research Methodology
    • 1.4.1. Primary research
    • 1.4.2. Secondary research
    • 1.4.3. Analyst tools and models

CHAPTER 2: EXECUTIVE SUMMARY

  • 2.1. CXO Perspective

CHAPTER 3: MARKET OVERVIEW

  • 3.1. Market definition and scope
  • 3.2. Key findings
    • 3.2.1. Top impacting factors
    • 3.2.2. Top investment pockets
  • 3.3. Porter's five forces analysis
    • 3.3.1. Low bargaining power of suppliers
    • 3.3.2. Low threat of new entrants
    • 3.3.3. Low threat of substitutes
    • 3.3.4. Low intensity of rivalry
    • 3.3.5. Low bargaining power of buyers
  • 3.4. Market dynamics
    • 3.4.1. Drivers
      • 3.4.1.1. Growing interest of consumers toward live music
      • 3.4.1.2. Growing popularity of music tourism
    • 3.4.2. Restraints
      • 3.4.2.1. Government policies pertaining to data protection
      • 3.4.2.2. High operational cost
    • 3.4.3. Opportunities
      • 3.4.3.1. Growth in m-commerce
      • 3.4.3.2. Growing infrastructural developments
  • 3.5. COVID-19 Impact Analysis on the market
  • 3.6. Market Share Analysis

CHAPTER 4: K-POP EVENTS MARKET, BY TYPE

  • 4.1. Overview
    • 4.1.1. Market size and forecast
  • 4.2. Rock
    • 4.2.1. Key market trends, growth factors and opportunities
    • 4.2.2. Market size and forecast, by region
    • 4.2.3. Market share analysis by country
  • 4.3. Jazz
    • 4.3.1. Key market trends, growth factors and opportunities
    • 4.3.2. Market size and forecast, by region
    • 4.3.3. Market share analysis by country
  • 4.4. Pop
    • 4.4.1. Key market trends, growth factors and opportunities
    • 4.4.2. Market size and forecast, by region
    • 4.4.3. Market share analysis by country
  • 4.5. Others
    • 4.5.1. Key market trends, growth factors and opportunities
    • 4.5.2. Market size and forecast, by region
    • 4.5.3. Market share analysis by country

CHAPTER 5: K-POP EVENTS MARKET, BY REVENUE SOURCE

  • 5.1. Overview
    • 5.1.1. Market size and forecast
  • 5.2. Tickets
    • 5.2.1. Key market trends, growth factors and opportunities
    • 5.2.2. Market size and forecast, by region
    • 5.2.3. Market share analysis by country
    • 5.2.4. Tickets K-pop Events Market by Sub-type
      • 5.2.4.1. Online Market size and forecast, by region
      • 5.2.4.2. Offline Market size and forecast, by region
  • 5.3. Sponserships
    • 5.3.1. Key market trends, growth factors and opportunities
    • 5.3.2. Market size and forecast, by region
    • 5.3.3. Market share analysis by country
  • 5.4. Others
    • 5.4.1. Key market trends, growth factors and opportunities
    • 5.4.2. Market size and forecast, by region
    • 5.4.3. Market share analysis by country

CHAPTER 6: K-POP EVENTS MARKET, BY GENDER

  • 6.1. Overview
    • 6.1.1. Market size and forecast
  • 6.2. Male
    • 6.2.1. Key market trends, growth factors and opportunities
    • 6.2.2. Market size and forecast, by region
    • 6.2.3. Market share analysis by country
  • 6.3. Female
    • 6.3.1. Key market trends, growth factors and opportunities
    • 6.3.2. Market size and forecast, by region
    • 6.3.3. Market share analysis by country

CHAPTER 7: K-POP EVENTS MARKET, BY REGION

  • 7.1. Overview
    • 7.1.1. Market size and forecast By Region
  • 7.2. North America
    • 7.2.1. Key trends and opportunities
    • 7.2.2. Market size and forecast, by Type
    • 7.2.3. Market size and forecast, by Revenue Source
      • 7.2.3.1. North America Tickets K-pop Events Market by Sub-type
    • 7.2.4. Market size and forecast, by Gender
    • 7.2.5. Market size and forecast, by country
      • 7.2.5.1. U.S.
      • 7.2.5.1.1. Key market trends, growth factors and opportunities
      • 7.2.5.1.2. Market size and forecast, by Type
      • 7.2.5.1.3. Market size and forecast, by Revenue Source
      • 7.2.5.1.4. Market size and forecast, by Gender
      • 7.2.5.2. Canada
      • 7.2.5.2.1. Key market trends, growth factors and opportunities
      • 7.2.5.2.2. Market size and forecast, by Type
      • 7.2.5.2.3. Market size and forecast, by Revenue Source
      • 7.2.5.2.4. Market size and forecast, by Gender
      • 7.2.5.3. Mexico
      • 7.2.5.3.1. Key market trends, growth factors and opportunities
      • 7.2.5.3.2. Market size and forecast, by Type
      • 7.2.5.3.3. Market size and forecast, by Revenue Source
      • 7.2.5.3.4. Market size and forecast, by Gender
  • 7.3. Europe
    • 7.3.1. Key trends and opportunities
    • 7.3.2. Market size and forecast, by Type
    • 7.3.3. Market size and forecast, by Revenue Source
      • 7.3.3.1. Europe Tickets K-pop Events Market by Sub-type
    • 7.3.4. Market size and forecast, by Gender
    • 7.3.5. Market size and forecast, by country
      • 7.3.5.1. Germany
      • 7.3.5.1.1. Key market trends, growth factors and opportunities
      • 7.3.5.1.2. Market size and forecast, by Type
      • 7.3.5.1.3. Market size and forecast, by Revenue Source
      • 7.3.5.1.4. Market size and forecast, by Gender
      • 7.3.5.2. France
      • 7.3.5.2.1. Key market trends, growth factors and opportunities
      • 7.3.5.2.2. Market size and forecast, by Type
      • 7.3.5.2.3. Market size and forecast, by Revenue Source
      • 7.3.5.2.4. Market size and forecast, by Gender
      • 7.3.5.3. UK
      • 7.3.5.3.1. Key market trends, growth factors and opportunities
      • 7.3.5.3.2. Market size and forecast, by Type
      • 7.3.5.3.3. Market size and forecast, by Revenue Source
      • 7.3.5.3.4. Market size and forecast, by Gender
      • 7.3.5.4. Italy
      • 7.3.5.4.1. Key market trends, growth factors and opportunities
      • 7.3.5.4.2. Market size and forecast, by Type
      • 7.3.5.4.3. Market size and forecast, by Revenue Source
      • 7.3.5.4.4. Market size and forecast, by Gender
      • 7.3.5.5. Spain
      • 7.3.5.5.1. Key market trends, growth factors and opportunities
      • 7.3.5.5.2. Market size and forecast, by Type
      • 7.3.5.5.3. Market size and forecast, by Revenue Source
      • 7.3.5.5.4. Market size and forecast, by Gender
      • 7.3.5.6. Netherlands
      • 7.3.5.6.1. Key market trends, growth factors and opportunities
      • 7.3.5.6.2. Market size and forecast, by Type
      • 7.3.5.6.3. Market size and forecast, by Revenue Source
      • 7.3.5.6.4. Market size and forecast, by Gender
      • 7.3.5.7. Rest of Europe
      • 7.3.5.7.1. Key market trends, growth factors and opportunities
      • 7.3.5.7.2. Market size and forecast, by Type
      • 7.3.5.7.3. Market size and forecast, by Revenue Source
      • 7.3.5.7.4. Market size and forecast, by Gender
  • 7.4. Asia-Pacific
    • 7.4.1. Key trends and opportunities
    • 7.4.2. Market size and forecast, by Type
    • 7.4.3. Market size and forecast, by Revenue Source
      • 7.4.3.1. Asia-Pacific Tickets K-pop Events Market by Sub-type
    • 7.4.4. Market size and forecast, by Gender
    • 7.4.5. Market size and forecast, by country
      • 7.4.5.1. Japan
      • 7.4.5.1.1. Key market trends, growth factors and opportunities
      • 7.4.5.1.2. Market size and forecast, by Type
      • 7.4.5.1.3. Market size and forecast, by Revenue Source
      • 7.4.5.1.4. Market size and forecast, by Gender
      • 7.4.5.2. China
      • 7.4.5.2.1. Key market trends, growth factors and opportunities
      • 7.4.5.2.2. Market size and forecast, by Type
      • 7.4.5.2.3. Market size and forecast, by Revenue Source
      • 7.4.5.2.4. Market size and forecast, by Gender
      • 7.4.5.3. South Korea
      • 7.4.5.3.1. Key market trends, growth factors and opportunities
      • 7.4.5.3.2. Market size and forecast, by Type
      • 7.4.5.3.3. Market size and forecast, by Revenue Source
      • 7.4.5.3.4. Market size and forecast, by Gender
      • 7.4.5.4. India
      • 7.4.5.4.1. Key market trends, growth factors and opportunities
      • 7.4.5.4.2. Market size and forecast, by Type
      • 7.4.5.4.3. Market size and forecast, by Revenue Source
      • 7.4.5.4.4. Market size and forecast, by Gender
      • 7.4.5.5. Australia
      • 7.4.5.5.1. Key market trends, growth factors and opportunities
      • 7.4.5.5.2. Market size and forecast, by Type
      • 7.4.5.5.3. Market size and forecast, by Revenue Source
      • 7.4.5.5.4. Market size and forecast, by Gender
      • 7.4.5.6. Rest of Asia-Pacific
      • 7.4.5.6.1. Key market trends, growth factors and opportunities
      • 7.4.5.6.2. Market size and forecast, by Type
      • 7.4.5.6.3. Market size and forecast, by Revenue Source
      • 7.4.5.6.4. Market size and forecast, by Gender
  • 7.5. LAMEA
    • 7.5.1. Key trends and opportunities
    • 7.5.2. Market size and forecast, by Type
    • 7.5.3. Market size and forecast, by Revenue Source
      • 7.5.3.1. LAMEA Tickets K-pop Events Market by Sub-type
    • 7.5.4. Market size and forecast, by Gender
    • 7.5.5. Market size and forecast, by country
      • 7.5.5.1. Brazil
      • 7.5.5.1.1. Key market trends, growth factors and opportunities
      • 7.5.5.1.2. Market size and forecast, by Type
      • 7.5.5.1.3. Market size and forecast, by Revenue Source
      • 7.5.5.1.4. Market size and forecast, by Gender
      • 7.5.5.2. Argentina
      • 7.5.5.2.1. Key market trends, growth factors and opportunities
      • 7.5.5.2.2. Market size and forecast, by Type
      • 7.5.5.2.3. Market size and forecast, by Revenue Source
      • 7.5.5.2.4. Market size and forecast, by Gender
      • 7.5.5.3. South Africa
      • 7.5.5.3.1. Key market trends, growth factors and opportunities
      • 7.5.5.3.2. Market size and forecast, by Type
      • 7.5.5.3.3. Market size and forecast, by Revenue Source
      • 7.5.5.3.4. Market size and forecast, by Gender
      • 7.5.5.4. Rest of LAMEA
      • 7.5.5.4.1. Key market trends, growth factors and opportunities
      • 7.5.5.4.2. Market size and forecast, by Type
      • 7.5.5.4.3. Market size and forecast, by Revenue Source
      • 7.5.5.4.4. Market size and forecast, by Gender

CHAPTER 8: COMPETITIVE LANDSCAPE

  • 8.1. Introduction
  • 8.2. Top winning strategies
  • 8.3. Product Mapping of Top 10 Player
  • 8.4. Competitive Dashboard
  • 8.5. Competitive Heatmap
  • 8.6. Top player positioning, 2021

CHAPTER 9: COMPANY PROFILES

  • 9.1. Filmmaster Group
    • 9.1.1. Company overview
    • 9.1.2. Key Executives
    • 9.1.3. Company snapshot
    • 9.1.4. Operating business segments
    • 9.1.5. Product portfolio
  • 9.2. Eventbrite, Inc.
    • 9.2.1. Company overview
    • 9.2.2. Key Executives
    • 9.2.3. Company snapshot
    • 9.2.4. Operating business segments
    • 9.2.5. Product portfolio
    • 9.2.6. Business performance
    • 9.2.7. Key strategic moves and developments
  • 9.3. Live Company Group plc.
    • 9.3.1. Company overview
    • 9.3.2. Key Executives
    • 9.3.3. Company snapshot
    • 9.3.4. Operating business segments
    • 9.3.5. Product portfolio
    • 9.3.6. Business performance
  • 9.4. SubKulture Entertainment
    • 9.4.1. Company overview
    • 9.4.2. Key Executives
    • 9.4.3. Company snapshot
    • 9.4.4. Operating business segments
    • 9.4.5. Product portfolio
  • 9.5. SM Entertainment Group
    • 9.5.1. Company overview
    • 9.5.2. Key Executives
    • 9.5.3. Company snapshot
    • 9.5.4. Operating business segments
    • 9.5.5. Product portfolio
    • 9.5.6. Business performance
    • 9.5.7. Key strategic moves and developments
  • 9.6. JYP Entertainment Co. Ltd
    • 9.6.1. Company overview
    • 9.6.2. Key Executives
    • 9.6.3. Company snapshot
    • 9.6.4. Operating business segments
    • 9.6.5. Product portfolio
    • 9.6.6. Business performance
    • 9.6.7. Key strategic moves and developments
  • 9.7. YG Entertainment Inc.
    • 9.7.1. Company overview
    • 9.7.2. Key Executives
    • 9.7.3. Company snapshot
    • 9.7.4. Operating business segments
    • 9.7.5. Product portfolio
    • 9.7.6. Business performance
    • 9.7.7. Key strategic moves and developments
  • 9.8. HYBE Co., Ltd.
    • 9.8.1. Company overview
    • 9.8.2. Key Executives
    • 9.8.3. Company snapshot
    • 9.8.4. Operating business segments
    • 9.8.5. Product portfolio
    • 9.8.6. Business performance
    • 9.8.7. Key strategic moves and developments
  • 9.9. PK-UK Events Limited
    • 9.9.1. Company overview
    • 9.9.2. Key Executives
    • 9.9.3. Company snapshot
    • 9.9.4. Operating business segments
    • 9.9.5. Product portfolio
  • 9.10. CJ Co., Ltd.
    • 9.10.1. Company overview
    • 9.10.2. Key Executives
    • 9.10.3. Company snapshot
    • 9.10.4. Operating business segments
    • 9.10.5. Product portfolio
    • 9.10.6. Business performance
    • 9.10.7. Key strategic moves and developments