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表紙：音楽制作ソフトウェアの世界市場2023-2030
市場調査レポート
商品コード
1296916

音楽制作ソフトウェアの世界市場2023-2030

Global Music Production Software Market 2023-2030
出版日: | 発行: Orion Market Research | ページ情報: 英文 130 Pages | 納期: 2～3営業日

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価格
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本日の銀行送金レート: 1USD=156.76円
音楽制作ソフトウェアの世界市場2023-2030
出版日: 2023年05月27日
発行: Orion Market Research
ページ情報: 英文 130 Pages
納期: 2～3営業日
  • 全表示
  • 概要
  • 図表
  • 目次
概要

世界の音楽制作ソフトウェア市場は、予測期間中（2023-2030年）にCAGR5.9%の成長が見込まれています。市場の成長は、音楽技術や教育などの要因に起因しています。音楽技術・教育グループは、オーディオ工学、音楽技術、ポピュラー音楽、クリエイティブ産業の教育的、社会的、起業的要素に関わっています。世界中の音楽教育者は、既存の音楽セッションに音楽テクノロジー・プログラムを取り入れたり、まったく新しい音楽テクノロジー・セッションを開発したりしています。例えば、2022年9月、アビッドテクノロジー社はPro Toolsリリース2022.9を発表し、イノベーションへの投資を加速させ、世界中の音楽プロフェッショナルに芸術性と生産性のかつてない進歩をもたらしました。ARA 2テクノロジーによるMelodyneの直接統合により、Pro Toolsのユーザー・インターフェイス上でピッチとタイムを簡単に操作できるようになりました。

セグメント別の展望

音楽制作の世界市場では、ディストリビューション用途のサブセグメントが圧倒的なシェアを占める見込み

音楽分野における配信需要の高まりから、配信サブセグメントが世界のビデオオンデマンド市場で大きなシェアを占めると予想されています。ディストリビューションとは、アーティストから小売業者へ音楽を届け、一般消費者が購入できるようにするプロセスです。ディストリビューションは、幅広い物理的、オンラインチャネルやマーケットプレースへの音楽の共有またはリリース。Spotify、Apple Music、Amazon Musicなどの音楽ストアやストリーミング・プラットフォーム、InstagramやTik Tokなどのソーシャルメディア・プラットフォームで、楽曲をストリーミングやダウンロードできるようにするプロセス。

地域別展望

北米が音楽制作ソフトウェアの世界市場で突出したシェアを占める見込み

音楽プロデューサーやミュージシャンのアルバムリリースが増加し、音楽制作ソフトウェアの需要が高まっているため、すべての地域の中で北米が音楽制作ソフトウェア市場で突出したシェアを占めると予想されます。例えば、2022年1月には、コンサートやライブイベント、EDMの人気が高まり、消費者がDJソフトウェアを使用して個人的なリミックス曲を制作することが奨励され、市場の需要が増加しています。また、ミュージシャンやDJは、さまざまな音楽トラックの自分自身のバージョンを作成するためにソフトウェアを使用しており、音楽制作ソフトウェアの市場の採用を後押ししています。ショッピングモール、ホテル、レストラン、社交の場など、さまざまな場面でDJ音楽の利用が増加していることも、市場の成長を加速させています。メディア分野の継続的な成長と、世界中の参加者によるコラボレーションの拡大は、成長産業を牽引すると予想されます。

目次

第1章 レポート概要

  • 業界の現状分析と成長ポテンシャルの展望
  • 調査方法とツール
  • 市場内訳
    • セグメント別
    • 地域別

第2章 市場概要と洞察

  • 調査範囲
  • アナリストの洞察と現在の市場動向
    • 主な調査結果
    • 推奨事項
    • 結論

第3章 競合情勢

  • 主要企業分析
  • Apple Inc.
    • 概要
    • 財務分析
    • SWOT分析
    • 最近の動向
  • Adobe Inc.
    • 会社概要
    • 財務分析
    • SWOT分析
    • 最近の開発
  • Avid Technology, Inc
    • 概要
    • 財務分析
    • SWOT分析
    • 最近の動向
  • 主要戦略分析

第4章 市場セグメンテーション

  • 音楽制作ソフトウェアの世界市場：製品タイプ別
    • 編集
    • ミキシング
    • レコーディング
    • ディストリビューション
    • パブリッシング
    • ソーシャル共有
  • 音楽制作ソフトウェアの世界市場：用途別
    • プロフェッショナルユース
    • カジュアル

第5章 地域分析

  • 北米
    • 米国
    • カナダ
  • 欧州
    • 英国
    • ドイツ
    • イタリア
    • スペイン
    • フランス
    • その他欧州
  • アジア太平洋
    • 中国
    • インド
    • 日本
    • 韓国
    • その他アジア太平洋地域
  • 世界のその他の地域

第6章 企業プロファイル

  • Ableton AG
  • Acoustica Inc.
  • Audacity Ventures Pvt.
  • Cakewalk Inc.
  • Cockos Inc .
  • Cubase Pvt.
  • FL Studio
  • Logic Pro X
  • MAGIX Software GmbH
  • MOTU Ltd.
  • NCH Software
  • PreSonus Audio Electronics Inc.
  • Propellerhead Software
  • Steinberg Media Technologies Gmbh
  • Tracktion Software（TSC）
図表

LIST OF TABLES

  • 1. GLOBAL MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY TYPE, 2023-2030 ($ MILLION)
  • 2. GLOBAL MUSIC PRODUCTION SOFTWARE FOR EDITING MARKET RESEARCH AND ANALYSIS BY REGION, 2023-2030 ($ MILLION)
  • 3. GLOBAL MUSIC PRODUCTION SOFTWARE FOR MIXING MARKET RESEARCH AND ANALYSIS BY REGION, 2023-2030 ($ MILLION)
  • 4. GLOBAL MUSIC PRODUCTION SOFTWARE FOR RECORDING MARKET RESEARCH AND ANALYSIS BY REGION, 2023-2030 ($ MILLION)
  • 5. GLOBAL MUSIC PRODUCTION SOFTWARE FOR DISTRIBUTION MARKET RESEARCH AND ANALYSIS BY REGION, 2023-2030 ($ MILLION)
  • 6. GLOBAL MUSIC PRODUCTION SOFTWARE FOR PUBLISHING MARKET RESEARCH AND ANALYSIS BY REGION, 2023-2030 ($ MILLION)
  • 7. GLOBAL MUSIC PRODUCTION SOFTWARE FOR SOCIAL SHARING MARKET RESEARCH AND ANALYSIS BY REGION, 2023-2030 ($ MILLION)
  • 8. GLOBAL MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY APPLICATION, 2023-2030 ($ MILLION)
  • 9. GLOBAL MUSIC PRODUCTION SOFTWARE FOR PROFESSIONAL USE MARKET RESEARCH AND ANALYSIS BY REGION, 2023-2030 ($ MILLION)
  • 10. GLOBAL MUSIC PRODUCTION SOFTWARE FOR CASUAL USE MARKET RESEARCH AND ANALYSIS BY REGION, 2023-2030 ($ MILLION)
  • 11. GLOBAL MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY REGION, 2023-2030 ($ MILLION)
  • 12. NORTH AMERICAN MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY COUNTRY, 2023-2030 ($ MILLION)
  • 13. NORTH AMERICAN MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY TYPE, 2023-2030 ($ MILLION)
  • 14. NORTH AMERICAN MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY APPLICATION, 2023-2030 ($ MILLION)
  • 15. EUROPEAN MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY COUNTRY, 2023-2030 ($ MILLION)
  • 16. EUROPEAN MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY TYPE, 2023-2030 ($ MILLION)
  • 17. EUROPEAN MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY APPLICATION, 2023-2030 ($ MILLION)
  • 18. ASIA-PACIFIC MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY COUNTRY, 2023-2030 ($ MILLION)
  • 19. ASIA-PACIFIC MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY TYPE, 2023-2030 ($ MILLION)
  • 20. ASIA-PACIFIC MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY APPLICATION, 2023-2030 ($ MILLION)
  • 21. REST OF THE WORLD MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY COUNTRY, 2023-2030 ($ MILLION)
  • 22. REST OF THE WORLD MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY TYPE, 2023-2030 ($ MILLION)
  • 23. REST OF THE WORLD MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY APPLICATION, 2023-2030 ($ MILLION)

LIST OF FIGURES

  • 1. GLOBAL MUSIC PRODUCTION SOFTWARE MARKET SHARE BY TYPE, 2023 VS 2030 (%)
  • 2. GLOBAL MUSIC PRODUCTION SOFTWARE FOR EDITING MARKET SHARE BY REGION, 2023 VS 2030 (%)
  • 3. GLOBAL MUSIC PRODUCTION SOFTWARE FOR MIXING MARKET SHARE BY REGION, 2023 VS 2030 (%)
  • 4. GLOBAL MUSIC PRODUCTION SOFTWARE FOR RECORDING MARKET SHARE BY REGION, 2023 VS 2030 (%)
  • 5. GLOBAL MUSIC PRODUCTION SOFTWARE FOR DISTRIBUTION MARKET SHARE BY REGION, 2023 VS 2030 (%)
  • 6. GLOBAL MUSIC PRODUCTION SOFTWARE FOR PUBLISHING MARKET SHARE BY REGION, 2023 VS 2030 (%)
  • 7. GLOBAL MUSIC PRODUCTION SOFTWARE FOR SOCIAL SHARING MARKET SHARE BY REGION, 2023 VS 2030 (%)
  • 8. GLOBAL MUSIC PRODUCTION SOFTWARE MARKET SHARE BY APPLICATION, 2023 VS 2030 (%)
  • 9. GLOBAL MUSIC PRODUCTION SOFTWARE FOR PROFESSIONAL USE MARKET SHARE BY REGION, 2023 VS 2030 (%)
  • 10. GLOBAL MUSIC PRODUCTION SOFTWARE FOR CASUAL USE MARKET SHARE BY REGION, 2023 VS 2030 (%)
  • 11. GLOBAL MUSIC PRODUCTION SOFTWARE MARKET SHARE BY REGION, 2023 VS 2030 (%)
  • 12. US MUSIC PRODUCTION SOFTWARE MARKET SIZE, 2023-2030 ($ MILLION)
  • 13. CANADA MUSIC PRODUCTION SOFTWARE MARKET SIZE, 2023-2030 ($ MILLION)
  • 14. UK MUSIC PRODUCTION SOFTWARE MARKET SIZE, 2023-2030 ($ MILLION)
  • 15. FRANCE MUSIC PRODUCTION SOFTWARE MARKET SIZE, 2023-2030 ($ MILLION)
  • 16. GERMANY MUSIC PRODUCTION SOFTWARE MARKET SIZE, 2023-2030 ($ MILLION)
  • 17. ITALY MUSIC PRODUCTION SOFTWARE MARKET SIZE, 2023-2030 ($ MILLION)
  • 18. SPAIN MUSIC PRODUCTION SOFTWARE MARKET SIZE, 2023-2030 ($ MILLION)
  • 19. REST OF EUROPE MUSIC PRODUCTION SOFTWARE MARKET SIZE, 2023-2030 ($ MILLION)
  • 20. INDIA MUSIC PRODUCTION SOFTWARE MARKET SIZE, 2023-2030 ($ MILLION)
  • 21. CHINA MUSIC PRODUCTION SOFTWARE MARKET SIZE, 2023-2030 ($ MILLION)
  • 22. JAPAN MUSIC PRODUCTION SOFTWARE MARKET SIZE, 2023-2030 ($ MILLION)
  • 23. SOUTH KOREA MUSIC PRODUCTION SOFTWARE MARKET SIZE, 2023-2030 ($ MILLION)
  • 24. REST OF ASIA-PACIFIC MUSIC PRODUCTION SOFTWARE MARKET SIZE, 2023-2030 ($ MILLION)
  • 25. REST OF THE WORLD MUSIC PRODUCTION SOFTWARE MARKET SIZE, 2023-2030 ($ MILLION)
目次
Product Code: OMR2027389

Title: Global Music Production Software Market Size, Share, and Trends Analysis Report by Type (Editing, Mixing, Recording, Distribution, Publishing, and Social Sharing), and by Application (Professional Use and Casual Use) Forecast Period (2023-2030).

The global music production software market is anticipated to grow at a considerable CAGR of 5.9% during the forecast period (2023-2030). The market's growth is attributed to factors such as music technology and education. The Music Technology and Education group is involved with the educational, social, and entrepreneurial elements of audio engineering, music technology, popular music, and the creative industries. Music educators across the globe are adapting to include music technology programmes into existing music sessions or developing total new music technology sessions. For instance, in September 2022, Avid Technology, Inc. announced Pro Tools release 2022.9, accelerating its investment in innovation to bring unprecedented advances in artistry and productivity for music professionals globally. The ability to easily manipulate pitch and time right inside the Pro Tools user interface via direct integration of Melodyne via ARA 2 technology.

Segmental Outlook

The global video on demand market is segmented based on type, and application. Based on the type, the market is segmented into editing, mixing, recording, distribution, publishing, and social sharing. Based on application, the market is segmented into professional use, and casual use. Among the type, the recording sub-segment is anticipated to grow at a considerable CAGR over the forecast period owing to the rising demand of music production software, which has developed into a discipline that is constantly linked to advancements in sound recording and reproduction technologies.

The Distribution Use Sub-Segment is Anticipated to Hold a Prominent Share of the Global Music Production Market

Among the type, the distribution sub-segment is expected to hold a prominent share of the global video-on-demand market due to the growing demand for distribution in the music sector. Distribution is the process of getting music from the artist to the retailer and making it available for purchase to the general public. The distribution sharing or releasing of music to a wide range of physical and online channels and marketplaces. The process of making the tunes available for streaming or download on music stores and streaming platforms such as Spotify, Apple Music, and Amazon Music, as well as social media platforms such as Instagram and Tik Tok.

Regional Outlook

The global music production software market is further segmented based on geography, including North America (the US and Canada), Europe (Italy, Spain, Germany, France, and Others), Asia-Pacific (India, China, Japan, South Korea, and Others), and the Rest of the World (the Middle East and Africa, and Latin America). Among these, the Asia-Pacific region is anticipated to grow at a significant rate over the forecast period, owing to the rise of the digital landscape and the ever-improving internet connectivity are driving the growth of the music production sector. Music streaming service companies' increased use of Big Data leads to better educated and effective advertising messages. Furthermore, an increasing number of regional players, such as KKBox, JOOX, and Yonder, continue to dominate the online music industry. .

Global Music Production Software Market Growth, by Region, 2023-2030

Source: OMR Analysis

North America is Expected to Hold a Prominent Share of the Global Music Production Software Market

Among all the regions, North America is expected to hold a prominent share in the music production software market, owing to increasing number of music producers and musicians are releasing albums, that has increased demand for music production software. For instance, in January 2022, the increased popularity of concerts, live events, and EDM encourages consumers to use DJ software to produce personal remix songs, increasing market demand. Musicians and DJs are also using the software to create their own versions of various music tracks, boosting the market's adoption of music production software. The increased use of DJ music in a variety of settings, including shopping malls, hotels, restaurants, and social gatherings, has accelerated market growth. The continuous growth of the media sector and expanding collaborations across the globe participants are anticipated to drive the growth industry.

Market players' outlook

The major companies serving the global video-on-demand market include Cockos Inc., MOTU Ltd., FL Studio, MAGIX Software GmbH, and Cakewalk Inc., among others. The market players are considerably contributing to market growth through the adoption of various strategies, including mergers and acquisitions, partnerships, collaborations, funding, and new product launches, to stay competitive in the market. For instance, in February 2022, PreSonus Audio Electronics, Inc. Announced the global launch of the AudioBox GO, the smallest, lightest, most portable PreSonus® audio. AudioBox GO is for musicians and producers seeking a simple and affordable method to begin their career in home music recording or content creation.

The report covers:

  • Market value data analysis for 2022 and forecast to 2030
  • Annualized market revenues ($ million) for each market segment.
  • Country-wise analysis of major geographical regions
  • Key companies operating in the global music production software market. Based on the availability of data, information related to new product launches, and relevant news is also available in the report.
  • Analysis of business strategies by identifying the key market segments positioned for strong growth in the future.
  • Analysis of market entry and market expansion strategies.
  • Competitive strategies by identifying 'who stands where' in the market.

Table of Contents

1. Report Summary

  • Current Industry Analysis and Growth Potential Outlook
  • 1.1. Research Methods and Tools
  • 1.2. Market Breakdown
    • 1.2.1. By Segments
    • 1.2.2. By Region

2. Market Overview and Insights

  • 2.1. Scope of the Report
  • 2.2. Analyst Insight & Current Market Trends
    • 2.2.1. Key Findings
    • 2.2.2. Recommendations
    • 2.2.3. Conclusion

3. Competitive Landscape

  • 3.1. Key Company Analysis
  • 3.2. Apple Inc.
    • 3.2.1. Overview
    • 3.2.2. Financial Analysis
    • 3.2.3. SWOT Analysis
    • 3.2.4. Recent Developments
  • 3.3. Adobe Inc.
    • 3.3.1. Overview
    • 3.3.2. Financial Analysis
    • 3.3.3. SWOT Analysis
    • 3.3.4. Recent Development
  • 3.4. Avid Technology, Inc
    • 3.4.1. Overview
    • 3.4.2. Financial Analysis
    • 3.4.3. SWOT Analysis
    • 3.4.4. Recent Developments
  • 3.5. Key Strategy Analysis

4. Market Segmentation

  • 4.1. Global Music Production Software Market by Type
    • 4.1.1. Editing
    • 4.1.2. Mixing
    • 4.1.3. Recording
    • 4.1.4. Distribution
    • 4.1.5. Publishing
    • 4.1.6. Social Sharing
  • 4.2. Global Music Production Software Market by Application
    • 4.2.1. Professional Use
    • 4.2.2. Casual Use

5. Regional Analysis

  • 5.1. North America
    • 5.1.1. United States
    • 5.1.2. Canada
  • 5.2. Europe
    • 5.2.1. UK
    • 5.2.2. Germany
    • 5.2.3. Italy
    • 5.2.4. Spain
    • 5.2.5. France
    • 5.2.6. Rest of Europe
  • 5.3. Asia-Pacific
    • 5.3.1. China
    • 5.3.2. India
    • 5.3.3. Japan
    • 5.3.4. South Korea
    • 5.3.5. Rest of Asia-Pacific
  • 5.4. Rest of the World

6. Company Profiles

  • 6.1. Ableton AG
  • 6.2. Acoustica Inc.
  • 6.3. Audacity Ventures Pvt.
  • 6.4. Cakewalk Inc.
  • 6.5. Cockos Inc .
  • 6.6. Cubase Pvt.
  • 6.7. FL Studio
  • 6.8. Logic Pro X
  • 6.9. MAGIX Software GmbH
  • 6.10. MOTU Ltd.
  • 6.11. NCH Software
  • 6.12. PreSonus Audio Electronics Inc.
  • 6.13. Propellerhead Software
  • 6.14. Steinberg Media Technologies Gmbh
  • 6.15. Tracktion Software (TSC)